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The House of Gold
In 1406 a young Venetian nobleman, Marin Contarini, married into another ancient patrician clan. His wife's family owned an old palace on the Grand Canal. Contarini demolished the old palace and, in 1421, he began to build the C... d'Oro, his 'House of Gold'. This 1993 book tells the history of the building of the palace over a period of nearly twenty years. After a general introduction to the city of Venice at the beginning of the quattrocento, Dr Goy discusses the background to the building of the palace. There follows a discussion of the building industry in Venice in this flourishing period, and of the functions of the three chief building crafts. In the latter half of the study, the whole building process is recreated in detail; the relationships between Contarini and his craftsmen are analysed, as is the pivotal role of Contarini himself, the architect manqué whose monument this was to become.
Venetian Vernacular Architecture
This book is an introduction to the vernacular (or "minor") architecture of the villages of the Venetian lagoon, excluding the historic centre of the city itself. It is intended as a companion volume to Dr Goy's "Chioggia and the Villages of the Venetian Lagoon".
Building Renaissance Venice
This book brings to life the story of the construction of some of the most outstanding early Renaissance buildings in Venice. Through a series of individual case studies, Richard J. Goy explores how and why great buildings came to be built. He addresses the practical issues of constructing such buildings as the Torre dell’Orologio in Piazza San Marco, the Arsenale Gate, and the churches of Santa Maria della Carita and San Zaccaria, focusing particular attention on the process of patronage. The book is the first to trace the complete process of creating important buildings, from the earliest conception in the minds of the patrons--the Venetian state or other institutional patrons--through the choice of architect, the employment of craftsmen, and the selection of materials. In an interesting analysis of the participants’ roles, Goy highlights the emerging importance of the superintending master, the protomaestro.
Venice
The first ever truly comprehensive history of Venetian architecture, Venice: The City and its Architectureabandons the traditional chronological approach of earlier histories in favour of one that is able to encompass the diverse and manifold influences that have affected the city's development. The buildings are explored through the unique urban context of Venice. This extensive tome brings to life the best aspects of the city's characteristic topography - changing light, reflective waters and prime geographical position at the crossroads of trade routes to the East. A vast range of buildings is celebrated - from fishermen's cottages to the palazzi on the Grand Canal and from the simplest of early Christian basilicas to Palladio's masterpieces and Longhena's Santa Maria della Salute. Colour photographs, original plans, contemporary drawings and paintings by the Venetian masters are all combined to reflect the visual wealth of this extraordinary city. The elegance and eloquence of this stimulating book render it as classic as the city whose secrets it reveals.
Florence
Each year, millions of visitors travel to Florence to admire the architectural marvels of this famous Renaissance city. In this compact yet comprehensive volume, architect and architectural historian Richard J. Goy offers a convenient, accessible guide to the city’s piazzas, palazzos, basilicas, and other architectural points of interest, as well as pertinent historical details regarding Florence’s unique urban environment. Clearly laid out and fully illustrated, this handbook is designed around a series of expertly planned walking tours that encompass not only the city’s most admired architectural sites, but also its lesser-known gems. Maps are tailored to each walking tour and provide additional references and insights, along with introductory chapters on the city’s architectural history, urban design, and building materials and techniques. Featuring a complete bibliography, glossary of key terms, and other useful reference materials, Goy’s guide will appeal both to travelers who desire a greater architectural context and analysis than that offered by a traditional guide and to return visitors looking to rediscover Florence’s most enchanting sites.
Venice
An architectural guide to the Italian city of Venice. Includes walking tours which encompass the city's most admired architectural sites, as well as lesser-known places. There is an introductory chapter exploring the city's architectural history, urban design and building materials and techniques.
The New Palaces of Medieval Venice
The medieval palaces of Venice are unlike those from anywhere else and they also survive in this equally unique city in far greater numbers. This well-presented study argues, however, that contrary to other opinions, the architecture of Venice was developed from that of northern and western Europe and not from that of Byzantium and Late Antiquity.
Florence
A historical account of the pivotal centre of Renaissance architecture.
Dream of Venice Architecture
Winner, IPPY Silver Award in Architecture Finalist, 2016 Foreword Indies Award in Architecture An intimate journey through the remarkable Venetian urban landscape, this book reveals the architectural features that contribute to the incredulity of the beautiful city from the mysterious sotoporteghi to the complexity of Carlo Scarpa's "immaculate detailing." Evocative photographs complement the personal reveries contributed by 36 notable international architects and architectural writers who have been inspired by the city and share in her wonder. Included are personal reflections from Tadao Ando, James Biber, Mario Botta, Michele De Lucchi, Massimiliano Fuksas, Robert McCarter, Richard Murphy, Witold Rybczynski, Annabelle Selldorf, and Thomas Woltz.
Shakespeare's Early History Plays
Like many of his fellow playwrights, Shakespeare turned to national history for inspiration. In this study, Dominique Goy-Blanquet provides a close comparison of the Henry VI plays and Richard III with their historical and theatrical sources, demonstrating how Shakespeare was able to meet not only the ideological but also the technical problems of turning history into drama, how by cutting, carving, shaping, casting his unwieldy material into performable plays, he matured into the most influential dramatist and historian of his time. Recent criticism of Shakespeare's history plays has often consisted of fierce arguments over their ideological import and Shakespeare's position on the spectrum...
