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A Biblical Translation in the Making
The Tafsīr, a new translation of the Torah made by R. Saadia Gaon (882-942 C.E.) for Arabic-speaking Jews, was the most important Jewish Bible translation of the Middle Ages. Richard Steiner traces the Tafsīr's history--its ancient and medieval roots, modest beginnings, subsequent evolution, and profound impact on the history of biblical exegesis.
Music by Max Steiner
In this biography the author interweaves the dramatic incidents of Steiner's personal life with an accessible exploration of his composing methods and experiences
Mind in Society
Vygotsky’s sociocultural theory of cognitive development in his own words—collected and translated by an outstanding group of scholars. “A landmark book.” —Contemporary Psychology The great Russian psychologist L. S. Vygotsky has long been recognized as a pioneer in developmental psychology. But his theory of development has never been well understood in the West. Mind in Society corrects much of this misunderstanding. Carefully edited by a group of outstanding Vygotsky scholars, the book presents a unique selection of Vygotsky’s important essays, most of which have previously been unavailable in English. The mind, Vygotsky argues, cannot be understood in isolation from the surro...
Hunger for the Wild
Americans have had an enduring yet ambivalent obsession with the West as both a place and a state of mind. Michael L. Johnson considers how that obsession originated, how it has determined attitudes toward and activities in the West, and how it has changed over the centuries.
Urban Sprawl and Public Health
'Urban Sprawl and Public Health' offers a survey of the impact that the built environment can have on the health of the people who inhabit our cities. The authors go on to suggest ways in which the design of cities could be improved & have a positive impact on the well-being of their citizens.
Creativity, Madness and Civilisation
What is ‘creativity’? And what is ‘madness’? How far can we interpret an artist’s work through our knowledge of his or her mental state, and how far can we infer a mental state from a work of art? When does a work of art cease to be a personal statement by the artist and become a matter of public concern? The contributions to this book attempt to answer some of these questions. They come from a wide range of disciplines and experiences – a practising psychiatrist, a practising artist suffering from reactive depression, and critics working in literature, film, music and the visual arts. The essays include discussions of the ‘myth of creativity’, the music of Robert Schumann, t...
