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Richard Lester
Richard Lester is of the most significant yet misunderstood directors of the post-war era. Indelibly associated with the Beatles and the "swinging Sixties" because of his direction of A Hard Day’s Night and Help and his joyous sex comedy The Knack, Lester has tended to be categorized as a modish director whose heyday passed when that decade’s optimism slid into disillusionment and violence. This book offers a critical appreciation and reappraisal of his work, arguing that it had much greater depth and variety than he has been given credit for. His versatility encompasses the Brechtian anti-heroics of How I Won the War; the surreal nuclear comedy of The Bed-Sitting Room and the swashbuckling adventure of The Musketeers films. He has even, in his instinctively iconoclastic manner, cut Superman down to size. The book should win new admirers for a director with a gift of making movies whose visual wit and imaginative imagery reveal an intelligent and enquiring scepticism about heroes and society. Including comments from Lester himself and illustrations from his own private collection, the book is a must for film scholars and enthusiasts alike.
The Man who "framed" the Beatles
Examines the life and work of the director of "A Hard Day's Night," "The Three Muskateers," and "Superman II"
Getting Away With It
Steven Soderbergh and Richard Lester are a generation apart, but theyshare a sense of humour and a passion for cinema. Soderbergh's freshman film, sex, lies and videotape, inaugurated a movementin US independent cinema. Lester's freewheeling work in the '60s and '70s ( Help!, A Hard Day's Night, The Knack, How I Won the War, Petulia) helped create a 'new wave' of British film-making. Here, the two cineastes discuss their mutual passion for the medium in a frank,funny and free-ranging series of interviews. Also included is Soderbergh's diary of an extraordinary twelve months in which he ventured into 'guerilla film-making' with offbeatprojects Schizopolis and Gray's Anatomy, before returning to the Hollywood fray with the George Clooney hit Out of Sight.
Photographing Fashion
Commissioned by "The Sunday Times," these photographs champion the best of British fashion and the finest photo shoots of the 1960s. The emphasis is on style, with a fresh look at everything from ball gowns to beachwear.
Boutique London
To any style conscious Londoner in the sixties just two places mattered: the King's Road and Carnaby Street. By the end of the decade the whole world came to see and be seen, to take part in the theatre that played out of the new boutiques and onto the street. From the sleek modernist tailoring of 'Top Gear' and 'His Clothes' to the nostalgic dressing up box style of the World's End boutiques, at the heart of it all were the young designers whose conviction to make and sell clothes on their own terms generated an explosion of talent which lasted and evolved over twenty years, leaving an indelible mark in fashion history. Boutique London follows the journey of the first risk-takers like Mary ...
Getting Away With It
Getting Away with It is a hilarious, insightful conversation between two visionary directors, Steven Soderbergh and Richard Lester, about the manifold joys and hardships of being a filmmaker. Though a generation apart, both share the infectious passion of cinephilia and have had a wide impact on the world film community. Soderbergh's freshman effort as a writer-director, sex, lies, and videotape, inaugurated a movement in low-budget, independent American film that remains a vital part of contemporary cinema today. Lester's freewheeling films of the sixties and seventies (including the Beatles' movies Help! and A Hard Day's Night; The Knack; How I Won the War and Petulia) helped to create a "...
John Bates
Throughout the 1960s and 70s, John Bates dominated the British fashion scene with a unique brand of style and innovation. No other designer had such a comprehensive influence on what the UK wore. This title is based on detailed interviews with John Bates, covering his entire career in fashion.
