You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Scottish theologian, educator, astronomer and popularizer of science, Thomas Dick (1774-1857) promoted a Christianized form of science to inhibit secularization, to win converts to Christianity, and to persuade evangelicals that science was sacred. His devotional theology of nature made radical claims for cultural authority. This book presents the first detailed analysis of his life and works. After an extended biographical introduction, Dick's theology of nature is examined within the context of natural theology, and also his views on the plurality of worlds, the nebular hypothesis and geology. Other chapters deal with Dick's use of aesthetics to shape social behaviour for millennial purposes, and with the publishing history of his works, their availability and their reception. In the final part, the author explores Dick's influence in America. His pacifism won him Northern evangelical supporters, while his writings dominated the burgeoning field of popular science, powerfully shaping science's cultural meaning and its uses.
This book examines literary representations of birds from across the world in anage of expanding European colonialism. It offers important new perspectives intothe ways birds populate and generate cultural meaning in a variety of literary andnon-literary genres from 1700–1840 as well as throughout a broad range ofecosystems and bioregions. It considers a wide range of authors, including someof the most celebrated figures in eighteenth-century literature such as John Gay,Henry Fielding, Laurence Sterne, Anna Letitia Barbauld, William Cowper, MaryWollstonecraft, Thomas Bewick, Charlotte Smith, William Wordsworth, andGilbert White. ignwogwog[p
This is a full-length study of Newcomb that traces the development of his faith in science and ranges over topics of great public debate in the Gilded Age, from the reform of economic theory to the recasting of the debate between science and religion.
In this deep revision of his important Rhetoric of Science, Gross examines how rhetorical analyses have a wide range of application, effectively exploring the generation, spread, certification, and closure that characterize scientific knowledge. Gross anchors his position in philosophical rather than in rhetorical arguments and maintains there is rhetorical criticism from which the sciences cannot be excluded.
Given the ubiquity of environmental rhetoric in the modern world, it’s easy to think that the meaning of the terms environment and environmentalism are and always have been self-evident. But in Surroundings, we learn that the environmental past is much more complex than it seems at first glance. In this wide-ranging history of the concept, Etienne S. Benson uncovers the diversity of forms that environmentalism has taken over the last two centuries and opens our eyes to the promising new varieties of environmentalism that are emerging today. Through a series of richly contextualized case studies, Benson shows us how and why particular groups of people—from naturalists in Napoleonic France in the 1790s to global climate change activists today—adopted the concept of environment and adapted it to their specific needs and challenges. Bold and deeply researched, Surroundings challenges much of what we think we know about what an environment is, why we should care about it, and how we can protect it.
On Solid Ground illustrates what geologists know about the earth by telling the stories of the people who made major geological discoveries. It also chronicles the doubters and nay-sayers who have worked so hard to undermine our understanding of the earth. Each chapter of this book contains three things: the human story of a geologic controversy, an explanation of why geologists are so sure about the right answer to that controversy, and a short discussion of the logical fallacies being used by those still unwilling to accept geologic expertise.
Seven science historians examine the historical creation and meaning of a range of scientific textual forms from the 17th to the late 19th centuries. They consider examples from the fields of chemistry, medicine, zoology, physics, physiology and mathematics.
Regimes of Description responds to the perceptionhowever imprecisethat forms of knowledge in every sector of contemporary culture are being fundamentally reshaped by the digital revolution: music, speech, engineering diagrams, weather reports, works of visual art, even the words most of us write are now subject, as Lyotard points out in The Inhuman, to a logic of the bit, the elemental unit of electronic information. It is now possible to slice, graft, and splice this knowledge in ways never before imagined using technologies that treat vast bodies of information as a stream of data bits. Programs and technical algorithms specify the criteria for discriminating between the data stream of a Mozart string quartet and the CAT scan of a diseased organ. But are these machine instructions and design parameters descriptions, or merely mechanical filters? And if the latter, what constitutes a description of digitally encoded knowledge? As a group, the essays in this volume pose that question as a first attempt to write the archaeology of the nature and history of description in the digital age.