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Famous for his masculine swagger and gritty roles, American cultural icon Clint Eastwood has virtually defined the archetype of the tough lawman. Beginning with his first on-screen appearance in the television series Rawhide (1959--1965) and solidified by his portrayal of the "Man with No Name" in Sergio Leone's "Dollars" trilogy (1964--1966), he rocketed to stardom and soon became one of the most recognizable actors in Hollywood. The Philosophy of Clint Eastwood examines the philosophy and psychology behind this versatile and controversial figure, exploring his roles as actor, musician, and director. Led by editors Richard T. McClelland and Brian B. Clayton, the contributors to this timely ...
Although Americans are no longer compelled to learn Greek and Latin, classical ideals remain embedded in American law and politics, philosophy, oratory, history and especially popular culture. In the Western genre, many film and television directors (such as John Ford, Raoul Walsh, Howard Hawks, Anthony Mann and Sam Peckinpah) have drawn inspiration from antiquity, and the classical values and influences in their work have shaped our conceptions of the West for years. This thought-provoking, first-of-its-kind collection of essays celebrates, affirms and critiques the West's relationship with the classical world. Explored are films like Cheyenne Autumn, The Wild Bunch, The Track of the Cat, Trooper Hook, The Furies, Heaven's Gate, and Slow West, as well as serials like Gunsmoke and Lonesome Dove.
A startling achievement....I cannot overemphasize how original and groundbreaking this work is, or recommend this book too highly. The argument throughout is clear, succinct, and rigorous. It represents the highest standards of analytical philosophy. All future work, if it is to be up to speed, will have to deal with what Menssen and Sullivan have done.
Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nominated The Insider (1999) as well as his most recent works—Ali (2001), Miami Vice (2006), and Public Enemies (2009). The Philosophy of Michael Mann provides an up-to-date and comprehensive account of the work of this highly accomplished filmmaker, exploring the director's recognizable visual style and the various on-screen and philosophical elements he has tested in his thirty-five-year career. The essays in this wide-ranging book will appeal to fans of the revolutionary filmmaker and to philosophical scholars interested in the themes and conflicts that drive his movies.
The history of Canada can seem like a subject as large and expansive as the country itself, and for those of us who haven’t attended a history class in a while, it may just feel too big to tackle. Academic histories full of footnotes and jargon aren’t for everyone, but everyone deserves to know the history of the country they call home. Direct but never dry, historian James M. Roth starts at the country’s geographical beginnings at the end of the last Ice Age and weaves Canada’s tale from there. From contrasting early New World civilization against established Old World tradition; contextualizing Indigenous history within the rest of Canadian history; explaining today’s complex relationships between English and French Canadians with a play by play analysis of events; giving meaning to countless social and political movements by looking at the bigger picture; and covering everything else in between in commuter-length chapters, Canada: The First 20,000 Years is a history book for the everyday Canadian.
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