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Literature, Life, and Modernity
Richard Eldridge explores the ability of dense and formally interesting literature to respond to the complexities of modern life. Beyond simple entertainment, difficult modern works cultivate reflective depth and help their readers order and interpret their lives as subjects in relation to complex economies and technological systems. By imagining themselves in the role of the protagonist or the authorial persona, readers become immersed in structures of sustained attention, under which concrete possibilities of meaningful life, along with difficulties that block their realization, are tracked and clarified. Literary form, Eldridge argues, generates structures of care, reflection, and investm...
An Introduction to the Philosophy of Art
Richard Eldridge presents a clear and compact survey of philosophical theories of the nature and significance of art. Drawing on materials from classical and contemporary philosophy as well as from literary theory and art criticism, he explores the representational, expressive, and formal dimensions of art, and he argues that works of art present their subject matter in ways that are of enduring cognitive, moral, and social interest. His accessible study will be invaluable to students and to all readers who are interested in the relation between thought and art.
An Introduction to the Philosophy of Art
In this book Richard Eldridge presents a clear and compact survey of philosophical theories of the nature and significance of art, drawing on materials from classical and contemporary philosophy as well as from literary theory and art criticism.
Leading a Human Life
Beginning from the Kantian and post-Kantian efforts to maintain a connection between intentionality and conscience, but without assuming any dogmatic metaphysical system, Richard Eldridge argues in Leading a Human Life that human persons are caught up in a continuing effort to bring their intentionality and powers of practical reason to full and fit expression. Contrary to the claims of both dogmatism and naturalism, human life remains haunted by the question, "How might I, in interaction with those around me, effectively form and choose a life of expressive freedom?".
The Oxford Handbook of Philosophy and Literature
This title investigates literature as a form of attention to human life. Various forms of attention are considered and in each case, the effort is to track and evaluate how specific modes and works of imaginative literature answer to important needs of human subjects.
The Persistence of Romanticism
This volume, first published in 2001, argues that Romantic thought remains central to both artistic work and philosophical understanding.
The Persistence of Romanticism
These challenging essays defend Romanticism against its critics. They argue that Romantic thought, interpreted as the pursuit of freedom in concrete contexts, remains a central and exemplary form of both artistic work and philosophical understanding. Richard Eldridge traces the central features of Romantic thinking and shows that Romanticism is neither emptily literary and escapist nor dogmatically optimistic and sentimental. The first serious philosophical defense of the ethical ideals of Romanticism, this volume will appeal particularly to all professionals and students in philosophy, literature and aesthetics.
Images of History
Developing work in the theories of action and explanation, Eldridge argues that moral and political philosophers require accounts of what is historically possible, while historians require rough philosophical understandings of ideals that merit reasonable endorsement. Both Immanuel Kant and Walter Benjamin recognize this fact. Each sees a special place for religious consciousness and critical practice in the articulation and revision of ideals that are to have cultural effect, but they differ sharply in the forms of religious-philosophical understanding, cultural criticism, and political practice that they favor. Kant defends a liberal, reformist, Protestant stance, emphasizing the importanc...
Werner Herzog
Werner Herzog has produced some of the most powerful, haunting, and memorable images ever captured on film. Both his fiction films and his documentaries address fundamental issues about nature, selfhood, and history in ways that engage with but also criticize and qualify the best philosophical thinking about these topics. In focusing on figures from Aguirre, Kasper Hauser, and Stroszek to Timothy Treadwell, Graham Dorrington, Dieter Dengler, and Walter Steiner, among many others, Herzog investigates the nature of human life in time and the possibilities of meaning that might be available within it. His films demonstrate the importance of the image in coming to terms with the plights of contemporary industrial and commercial culture. Eldridge unpacks and develops Herzog's achievement by bringing his work into engagement with the thinking of Freud, Merleau-Ponty, Nietzsche, Hegel, Cavell, and Benjamin, but more importantly also by attending closely to the logic and development of the films themselves and to Herzog's own extensive writings about filmmaking.
Goethe and Wittgenstein
Frankfurt/M., Berlin, Bern, Bruxelles, New York, Oxford, Wien. Herausgegeben von Wilhelm Lutterfelds, Richard Raatzsch und Andreas Roser. The works of both Goethe and Wittgenstein are a permanent challenge. Goethe's lasting effectiveness is to be found in the alternative nature of his world-view (Weltan-Schauung), which may be characterized as a morphological access to the manifold of phenomena. Lasting in a similar way to the effect of Goethe, one could certainly say today that Wittgenstein's effect has lasted. This is no coincidence. The fact that late Wittgenstein goes together with Goethe in fundamental respects, or even follows him, cannot be overseen. Wittgenstein's lasting legacy has,...
