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Hindenburg
The extraordinary story of a time when giant silver zeppelins held the promise of the future is vividly recounted in this volume, highlighted by hundreds of stunning paintings and photos.
Drawing Power
Drawing Power is a lively collection of mass market print advertising from the 1890s to the recent past, starring both cartoonists and cartoon characters. While critics debate whether comics is high art or low art, the fact is that the comic strip was born as a commercial medium and was nurtured by competition, commerce, and advertising. Drawing Power will be the first book-length examination (and celebration) of the nexus of art and cartoons. It will focus on the commercial roots of newspaper strips; the cross-promotions of artists, their characters, and retail products; and of the superb artwork that cartoonists invested in their lucrative freelance work in advertising. Drawing Power is cultural history, chronicling a time in popular culture when cartoonists were celebrities and their strips and characters competed with the movies for the attention of a mass audience.
We Told You So
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
The Encyclopedia of Country & Western Music
Offers biographical sketches with pictures of over 200 major figures in Country and Western music.
Bully!
One of America’s most beloved presidents comes to life in this comprehensive, unique biography illustrated by more than 250 period cartoons. Theodore Roosevelt, adored for everything from his much-caricatured teeth and glasses to his almost childlike exuberance and boundless energy, as well as his astounding achievements, captivated Americans of his day—and the cartoonists who immortalized him in their drawings. In Bully! The Life and Times of Theodore Roosevelt, author and cartoonist Rick Marschall tells Roosevelt’s story, using words and colorful images alike. Incorporating hundreds of vintage illustrations, Bully! captures Roosevelt’s remarkable life and incredible accomplishments as no other biography has.
America's Great Comic-strip Artists
A treasury of outstanding graphics and rare and beautiful comic art, this book is also a history of the art form itself, as seen through the work of 16 of the finest cartoonists of the last century, including Al Capp, Charles M. Schulz, Walt Kelly and Chester Gould. Marschall's fascinating text portrays the life and times of these artists, demonstrating their influence on American art and society. 250 illustrations, many in full-color.
Bach & God
Bach & God explores the religious character of the music of Johann Sebastian Bach. Noted musicologist Michael Marissen offers wide-ranging insights from detailed investigations of both words and music. Bach is inexhaustible, and Bach & God suggests that through close contextual study there is always more to discover and learn.
A Cockeyed Menagerie
The long-overdue, definitive career retrospective of an early-20th-century gag cartoonist. From the 1880s to the Roaring 1920s, Sullivant took to the drawing board and dreamed up all manner of hilarious gag cartoons featuring animals of all stripes, perennial American "types" like hayseeds and hobos, and classic characters from myths and biblical tales. These comics haven’t seen the light of day since their initial appearance in pioneering humor magazines like Puck and Judge over a century ago. Includes essays by John Cuneo, Peter de Seve, Barry Blitt, Steve Brodner, Rick Marshall, Nancy Beiman, and R.C. Harvey, with a foreword by cartoonist Jim Woodring.
Mort Walker
A collection of interviews and articles from 1938-2004 that shows how the cartoonist managed to keep his art and stories fresh for over seventy years of production
Mr. Twee Deedle — Raggedy Ann's Sprightly Cousin
Mr. Twee Deedle, Johnny Gruelle’s masterpiece, unjustly forgotten by history and never before reprinted since its first appearance in America’s newspapers from 1911 to 1914. The title character in the Sunday color page, Mr. Twee Deedle, is a magical wood sprite who befriends the strip’s two human children, Dickie and Dolly. Gruelle depicted a charming, fantastical child’s world, filled with light whimsy and outlandish surrealism. The artwork is among the most stunning ever to grace an Amercian newspaper page, and Gruelle’s painterly color makes every page look like it was created on a canvas. Mr. Twee Deedle stands as a bizarre time-warp: at a time when most children’s literature and kids’ comic strips were somewhat violent or starkly moralistic (the Brothers Grimm; the Katzenjammer Kids; and even Little Nemo itself, which often depicted nightmares, fears, and dangers), Twee Deedle was sensitive and whimsical. Instead of stark moralizing, it presented gentle lessons. It reads today like a work for the 21st century… indeed for all times, all ages.
