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It is widely assumed that humanity should be able to learn from calamities (e.g., emergencies, disasters, catastrophes) and that the affected individuals, groups, and enterprises, as well as the concerned (disaster-) management organizations and institutions for prevention and mitigation, will be able to be better prepared or more efficient next time. Furthermore, it is often assumed that the results of these learning processes are preserved as "knowledge" in the collective memory of a society, and that patterns of practices were adopted on this base. Within history, there is more evidence for the opposite: Analyzing past calamities reveals that there is hardly any learning and, if so, that ...
Destroying human habitat and taking human lives, disasters, be they natural, man-made, or a combination, threaten large populations, even entire nations and societies. They also disrupt the existing order and cause discontinuity in our sense of self and our perceptions of the world. To restore order, not only must human beings be rescued and affected areas rebuilt, but the reality of the catastrophe must also be transformed into narrative. The essays in this collection examine representations of disaster in literature, film, and mass media in German and international contexts, exploring the nexus between disruption and recovery through narrative from the eighteenth century to the present. To...
This book addresses a little-considered aspect of the study of the history of emotions in medieval literature: the depiction of perplexing emotional reactions. Medieval literature often confronts audiences with displays of emotion that are improbable, physiologically impossible, or simply unfathomable in modern social contexts. The intent of such episodes is not always clear; medieval texts rarely explain emotional responses or their motivations. The implication is that the meanings communicated by such emotional display were so obvious to their intended audience that no explanation was required. This raises the question of whether such meanings can be recovered. This is the task to which the contributors to this book have put themselves. In approaching this question, this book does not set out to be a collection of literary studies that treat portrayals of emotion as simple tropes or motifs, isolated within their corpora. Rather, it seeks to uncover how such manifestations of feeling may reflect cultural and social dynamics underlying vernacular literatures from across the medieval North Sea world.
Popular fiction can be more than "feel-good diversion". Stories which are intended to entertain are uniquely suited to affect their recipients' feelings or moods, and tend to leave a more sustained impression than lectures or lists of facts. It is hardly surprising, therefore, that story-telling keeps on thriving in the 21st century, with ever new media providing ever new space for narratives. In Will Spook You For Real, Huber examines a wide range of strategies used in fiction to trigger a specific emotion in the readers: anxiety regarding the social constructs they live in, and their specific positions within these constructs. Can we trust our neighbours? Can we rely on our governments? What do big corporations have in mind? And what happens if I cannot conform to the role which has been assigned to me?
Im Gegensatz zu landläufigen Vorstellungen sind wissenschaftliche Wissensbestände häufig prekäre Ressourcen. Sie können in bestimmten Situationen aus epistemischen Gründen schwach sein, weil Begründungen oder empirische Evidenz problematisch sind. In anderen Situationen fehlt die kulturelle und soziale Anerkennung oder das fragliche Wissen bleibt schwach, weil es nicht gelingt, es praktisch nutzbar zu machen. Der Band versammelt Beiträge aus allen historischen Epochen und aus einem breiten Spektrum von Wissensgebieten - von der Medizin bis zur Klimatologie.
The unbelievable true story of the Cold War’s strangest proxy war, fought between the zoos on either side of the Berlin Wall. “The liveliness of Mohnhaupt’s storytelling and the wonderful eccentricity of his subject matter make this book well worth a read.” —Star Tribune (Minneapolis) Living in West Berlin in the 1960s often felt like living in a zoo, everyone packed together behind a wall, with the world always watching. On the other side of the Iron Curtain, East Berlin and its zoo were spacious and lush, socialist utopias where everything was perfectly planned... and then rarely completed. Berlin’s two zoos in East and West quickly became symbols of the divided city’s two ha...
Anthropological Abstracts is a reference journal published once a year in print, and it lists - in English language - most publications in the field of cultural/social anthropology published in the German language area (Austria, Germany, and Switzerland). Since many of these publications have been written in German, and most German publications in anthropology are not included in the major English language abstracting services, Anthropological Abstracts offers a convenient source of information for anthropologists and social scientists in general who do not read German. Included are journal articles, monographs, anthologies, exhibition catalogs, yearbooks, etc. Most abstracts are authored by the editor, while others are specified accordingly. The journal has been edited by Ulrich Oberdiek since 1993 (formerly: Abstracts in German Anthropology; since 2002: Anthropological Abstracts). (Series: Anthropological Abstracts - Cultural/Social Anthropology from German-speaking Countries - Vol. 8)
Was macht die noch vergleichsweise junge Disziplin der Psychotherapiewissenschaft aus? Wie steht sie zur (klinischen) Psychologie und zur Medizin? Mit welchen aktuellen Herausforderungen sieht sie sich konfrontiert? Dieses Buch legt eine systematische Aufarbeitung der Psychotherapiewissenschaft aus einem erweiterten radikalkonstruktivistischen, multidisziplinären Ansatz heraus vor. Dazu werden zunächst Begriffsdefinitionen herausgearbeitet und die historische Entwicklung der Disziplin nachgezeichnet. Es folgt eine Beleuchtung des studien- und forschungspraktischen Alltags der Psychotherapiewissenschaft. Anschließend werden einzelne psychotherapiewissenschaftliche Ansätze aus philosophisc...
How can we account, in a rigorous way, for alchemy's ubiquity? We think of alchemy as the transformation of a base material (usually lead) into gold, but "alchemy" is a word in wide circulation in everyday life, often called upon to fulfill a metaphoric duty as the magical transformation of materials. Almost every culture and time has had some form of alchemy. This book looks at alchemy, not at any one particular instance along the historical timeline, not as a practice or theory, not as a mode of redemption, but as a theoretical problem, linked to real gold and real production in the world. What emerges as the least common denominator or "intensive property" of alchemy is ambivalence, the impossible and paradoxical coexistence of two incompatible elements. Alchemical Mercury moves from antiquity, through the golden age of alchemy in the Dutch seventeenth century, to conceptual art, to alternative fuels, stopping to think with writers such as Dante, Goethe, Hoffmann, the Grimm Brothers, George Eliot, and Marx. Eclectic and wide-ranging, this is the first study to consider alchemy in relation to literary and visual theory in a comprehensive way.
Am Pazifischen Feuerring gelegen stellt Kalifornien eines der erdbebengefährdetsten Gebiete der Welt dar. In den letzten zwei Jahrhunderten töteten die Auswirkungen der seismischen Wellen in Los Angeles hunderte Menschen, verletzten tausende und hinterließen einen Schaden in Milliardenhöhe. Solche Vorkommnisse sowie das Wissen, dass 'the Big One' sich jederzeit ereignen könnte, hinterlassen Spuren im Individuum und in der Gemeinschaft. Die Bewältigung von Katastrophen beinhaltet nicht nur die häufig im Fokus von Forschungen stehenden äußeren sichtbaren Maßnahmen, sondern auch psychische Prozesse der Betroffenen. Das Anliegen dieser Studie darin, die bislang viel zu wenig Beachtung ...