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The first book to examine the role of Canada’s newspapers in perpetuating the myth of Native inferiority. Seeing Red is a groundbreaking study of how Canadian English-language newspapers have portrayed Aboriginal peoples from 1869 to the present day. It assesses a wide range of publications on topics that include the sale of Rupert’s Land, the signing of Treaty 3, the North-West Rebellion and Louis Riel, the death of Pauline Johnson, the outing of Grey Owl, the discussions surrounding Bill C-31, the “Bended Elbow” standoff at Kenora, Ontario, and the Oka Crisis. The authors uncover overwhelming evidence that the colonial imaginary not only thrives, but dominates depictions of Aboriginal peoples in mainstream newspapers. The colonial constructs ingrained in the news media perpetuate an imagined Native inferiority that contributes significantly to the marginalization of Indigenous people in Canada. That such imagery persists to this day suggests strongly that our country lives in denial, failing to live up to its cultural mosaic boosterism.
Since its first appearance in 1967, Russell Harper's classic study of Canadian painting has been recognized as the outstanding authority on the subject. This edition provides a comprehensive survey, generously illustrated, of three centuries of Canadian painting from its beginnings in the seventeenth century. Through a lively combination of entertaining anecdotes, descriptions of the cultural background, biographical accounts, and critical judgement, the reader comes to know intimately the artists, their paintings, and their environments. Included are 173 reproductions - 45 added since the first addition. They all ow the reader to see representative works from all periods, and provide a visual record of the cultural and social history of Canada.
"Jennifer Reid looks at the man known today as the founder of Manitoba. Not just a traditional biography, Reid examines Riel's education and religious beliefs."--[book jacket].
Tracing Louis Riel’s metamorphosis from traitor to hero, Braz argues that, through his writing, Riel resists his portrayal as both a Canadian patriot and a pan-Indigenous leader. After being hanged for high treason in 1885, the Métis politician, poet, and mystic has emerged as a quintessential Canadian champion. The Riel Problem maps this representational shift by examining a series of cultural and scholarly commemorations of Riel since 1967, from a large-scale opera about his life, through the publication of his extant writings, to statues erected in his honour. Braz also probes how aspects of Riel’s life and writing can be problematic for many contemporary Métis artists, scholars, and civic leaders. Analyzing representations of Riel in light of his own writings, the author exposes both the constructedness of the Canadian nation-state and the magnitude of the current historical revisionism when dealing with Riel.