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How do dealers price contemporary art in a world where objective criteria seem absent? Talking Prices is the first book to examine this question from a sociological perspective. On the basis of a wide range of qualitative and quantitative data, including interviews with art dealers in New York and Amsterdam, Olav Velthuis shows how contemporary art galleries juggle the contradictory logics of art and economics. In doing so, they rely on a highly ritualized business repertoire. For instance, a sharp distinction between a gallery's museumlike front space and its businesslike back space safeguards the separation of art from commerce. Velthuis shows that prices, far from being abstract numbers, ...
Catalogus bij een expositie van kunstzinnige meubels van de Nederlandse ontwerper (1946).
Chronicles the political events of the 1980s, offering a year-by-year account of the economic and cultural changes that took place during Ronald Reagan's two terms in the White House.
Museum für Gegenwartskunst, Kunstmuseum Basel
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Offering details of all the sights of Sicily, from the mosaics of Monreale and the temples of Argrigento to bustling markets in Palermo, this guide also includes reviews of hotels and restaurants for every budget and region of the island. It also includes information on mountain hikes.
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In Biennial Boom, Paloma Checa-Gismero traces an archeology of contemporary art biennials to uncover the processes that prompted these exhibitions to become the global art world’s defining events at the end of the twentieth century. Returning to the early post-Cold War years, Checa-Gismero examines the early iterations of three well-known biennials at the borders of North Atlantic liberalism: the Bienal de La Habana, inSITE, and Manifesta. She draws on archival and oral history fieldwork in Cuba, Mexico, the US/Mexico borderlands, and the Netherlands, showing how these biennials reflected a post-Cold War optimism for a pacified world by which artistic and knowledge production would help me...
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