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Public Women in British India
This book foregrounds the subjectivity of ‘acting women’ amidst violent debates on femininity and education, livelihood and labour, sexuality and marriage. It looks at the emergence of the stage actress as an artist and an ideological construct at critical phases of performance practice in British India. The focus here is on Calcutta, considered the ‘second city of the Empire’ and a nodal point in global trade circuits. Each chapter offers new ways of conceptualising the actress as a professional, a colonial subject, simultaneously the other and the model of the ‘new woman’. An underlying motif is the playing out of the idea of spiritual salvation, redemption and modernity. Analy...
The Crosshairs of Life
This book is a pot-pourri of tales of bravery, angst, emotions, love, betrayal and mental illness. Astute, intrepid, engaging and raw, this is the debut book of an Engineer, Ms. Rimli Bhattacharya, who left her corporate career to follow her passion. The book weaves a bouquet of human emotions. The stories revolve around the lives of their protagonists, who are all in the crossroads of life, having to make difficult decisions. Overall, it will make for an appealing and intriguing read.
Aranyak
Bibhutibhushan Bandyopadhyaya (1894-1950), a major novelist from Bengal, is one of our greatest writers. His Pather Panchali ( Song of the Road ) has been immortalized through Satyajit Ray's film. Aranyak, composed between 1937-39, was based on Bibhutibhushan s long and arduous years in northern Bihar, where he came into contact with a part of the world that, even now, remains unknown to most of us. In Aranyak, Bibhutibhushan weaves visionary poetry with a stark and uncompromising documentation of the day-to-day lives of the dispossessed subsistence peasants, penurious brahmans, migrant landless labourers and adivasis. To this world the writer brings his own lifelong interest in the natural ...
Women, Religion, and Social Change
De bijdragen in dit boek onderzoeken welke rol vrouwen van diverse religieuze achtergronden hebben gespeeld in revoluties en sociale veranderingen. Er wordt nagegaan hoe religies de deelname van vrouwen aan het sociale veranderingsproces stimuleren of belemmeren. Alle grote wereldgodsdiensten en hun verschillende lokale invullingen komen aan bod.
Wanted Cultured Ladies Only!
Wanted Cultured Ladies Only! maps out the early culture of cinema stardom in India from its emergence in the silent era to the decade after Indian independence in the mid-twentieth century. Neepa Majumdar combines readings of specific films and stars with an analysis of the historical and cultural configurations that gave rise to distinctly Indian notions of celebrity. She argues that discussions of early cinematic stardom in India must be placed in the context of the general legitimizing discourse of colonial "improvement" that marked other civic and cultural spheres as well, and that "vernacular modernist" anxieties over the New Woman had limited resonance here. Rather, it was through emphatically nationalist discourses that Indian cinema found its model for modern female identities. Considering questions of spectatorship, gossip, popularity, and the dominance of a star-based production system, Majumdar details the rise of film stars such as Sulochana, Fearless Nadia, Lata Mangeshkar, and Nargis.
That Day It Rained And Other Stories
Call it a collection of stories or a compilation of human emotions, this is the second solo book of Ms Rimli Bhattacharya. The author calls herself a bohemian and travels around the globe in a caravan which is driven by rape, lust, lies, forbidden love, mental illness, homicide and death. This book had been crafted sitting in that caravan lost in myriad textures and flavours, with those mental demons screaming her to stop. She did not listen. The book which unleashes the dark domain of human mind makes it a compelling read.
Reading from the South
Draws together reflective and analytical essays by renowned intellectuals from around the world who critically engage with the work of one of the global South s leading scholars of African print cultures and the oceanic humanities, Isabel Hofmeyr.
Gendered Publics
This book offers a comprehensive appraisal of the relatively unexplored but highly impactful women’s association, the Assam Mahila Samiti which led one of the most remarkable women’s movements in colonial India. Central to the Assam Mahila Samiti story is its founding Secretary, the firebrand feminist Chandraprava Saikiani (1901-72) who, despite being an unwed mother and belonging to a lower caste, was a celebrated writer, a polemical columnist, and a successful publicist of two vernacular magazines in the 1940s. The book traverses these individual and collective journeys from the 1920s to the 1950s, exploring their negotiations with the complex terrain of the multi-ethnic Brahmaputra va...
You Ask, I Tell
The rise to stardom and tragic fall of one of the heroines of Indian film. Hansa Wadkar (born Ratan Bhalchandra) was one of Maharashtra’s best known stage and screen personalities. By the time she was married — to a much older family friend and impresario when she was just 15 — she had already starred in nine or ten movies and was becoming a name in the film world. Supporting her family on her earnings, her brother sick with malaria, and both parents having taken to drink, life was not easy for the young woman. But Hansa was not only beautiful and immensely talented, she was tough, wilful, capricious and headstrong. Her autobiography, Sangtye Aika published in 1970 and translated into English here for the first time, created a sensation for its frankness and boldness. It was later made into a film, Bhumika, by the legendary director Shyam Benegal and starred Smita Patil in the title role. Published by Zubaan.
The Dancing Poet
Drawing on a range of visual archives and personal collections, the book casts Rabindranath Tagore as the 'Dancing Poet' - in whom the contours of a pan-Indian diversity seek to merge, albeit selectively, with that of the world, eschewing most emphatically the territorial borders of the nation-state while reiterating 'civilizational' strands. The book outlines the contradictions and possibilities in such aspirations, central to the new cultural texts that Tagore seeks to produce in lyric, song, dance, image and sangeet. These are strategic juxtapositions that may yet yield new insights into our old debates on modernity. The locus of this work continues to be the performing woman and the crea...
