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The divisions of the army of the R.S.I. 1943-1945 – Vol. 2
The goal that we have set ourselves with this series of two volumes, written by four hands, is to give an overall picture of the Divisions formed by the Army of the R.S.I. on the departments employed in the fight against the partisans by the Republican National Army, starting from the last months of 1943, offering a purely military point of view, free from judgments of any kind. The intention to “continue the war” had always been present since the beginning of autumn 1943 in the military authorities of the Social Republic. In the course of talks, three Mussolini and Hitler agreed to form a new fascist army, which, in the intentions of the Fuhrer, was to be composed of an army of 10/15 Divisions. In reality only 4 were planned and formed by the Republican National Army: 1st Bersaglieri Division “Italia”, 2nd Grenadiers Division “Littorio”, 3rd Marine Infantry Division “San Marco”, 4th Alpine Division “Monterosa”. This second volume is dedicated to the “San Marco” Division, which operated in Liguria and Garfagnana, against the Allies, until the end of the conflict, and to the “Monterosa” Alpine Division.
Astor Pictures
Founded by Robert M. Savini in 1933, Astor Pictures Corporation distributed hundreds of films in its 32 years of operation. The company distributed over 150 first run features in addition to the numerous re-releases for which it became famous. Astor had great success in the fields of horror and western movies and was a pioneer in African-American film productions. While under Savini's management, Astor and its subsidiaries were highly successful, but after his death in 1956 the company was sold, leading to eventual bankruptcy and closure. This volume provides the first in-depth look at Astor Pictures Corporation with thorough coverage of its releases, including diverse titles like La Dolce Vita and Frankenstein's Daughter.
The Victrola Book of the Opera
In depth descriptions of various operas with scene by scene, aria by aria accounts.
The Jews in Umbria, Volume 1 (1245-1435)
This work is based mainly on documentation preserved in the archives of Umbria. It illustrates the political and socio-economic history of the Jewish community from the second half of the thirteenth century, when Jewish settlement in the region became permanent and continuous, to the expulsion of the Jews in 1569 decreed by Pope Pius V. Umbria was an important geographical and political entity in central Italy during the late Middle Ages and was always linked to the Papal State. The documents provide us with important information that enables us to appreciate correctly the Jews' economic role in the region and their relationships with the political powers (the communes and the popes) and the Mendicant orders. Furthermore, they enlighten us on aspects of the Jews' daily life, and on their relationship with Christian society.
The Teatro Solís
The first comprehensive history of the oldest major opera house in the Americas.
Doppelgangers, Alter Egos and Mirror Images in Western Art, 1840-2010
The notion of a person--or even an object--having a "double" has been explored in the visual arts for ages, and in myriad ways: portraying the body and its soul, a woman gazing at her reflection in a pool, or a man overwhelmed by his own shadow. In this edited collection focusing on nineteenth- and twentieth-century western art, scholars analyze doppelgangers, alter egos, mirror images, double portraits and other pairings, human and otherwise, appearing in a large variety of artistic media. Artists whose works are discussed at length include Richard Dadd, Salvador Dali, Egon Schiele, Frida Kahlo, the creators of Superman, and Nicola Costantino, among many others.
Latin American Classical Composers
Now in its third edition, Latin American Classical Composers: A Biographical Dictionary provides a singular English-language resource for biographical information on hundreds of composers from Central and South America and the Hispanic Caribbean. Painstakingly gathered from a wide variety of sources, the information updates and expands previous editions and fills in the gaps left by the other major English-language music dictionaries and encyclopedias. Entries provide biographical data comprising full names, birth and death dates and locations, background, education, and training, as well as selective works lists more than 2,300 composers. An index of composers by country and women composers of Latin America complement the volume. An essential part of any music library, Latin American Classical Composers is an invaluable reference for librarians, musicologists, ethnomusicologists, researchers, and music students.
Before the Baton
This book investigates the ways large-scale music was directed or conducted in Britain before baton conducting took hold in the 1830s. After surveying practice in Italy, Germany and France from Antiquity to the eighteenth century, the focus is on direction in two strands of music making in Stuart and Georgian Britain: choral music from Restoration cathedrals to the oratorio tradition deriving from Handel, and music in the theatre from the Jacobean masque to nineteenth-century opera, ending with an account of how modern baton conducting spread in the 1830s from the pit of the Haymarket Theatre to the Philharmonic Society and to large-scale choral music. Part social and musical history based o...
The Marqués, the Divas, and the Castrati
In this book, author Louise K. Stein analyzes early modern opera as appreciated and produced by Gaspar de Haro y Guzmán (1629-87), Marqués de Heliche and del Carpio and a distinguished patron of the arts in Madrid, Rome, and Naples. It also reveals his lasting legacy in the Americas during a crucial period for the growth and development of opera and the history of singing.
