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Beirut to Carnival City: Reading Rawi Hage is a pioneering collection of commissioned critical essays on the work of the highly relevant Canadian writer. With four acclaimed novels and scattered short fictions, the Lebanese-born Hage has become a formidable literary force. The volume is an attempt to situate his fiction not only in the context of Lebanese diasporic writing, but that of trans-geographical literature, as well as to emphasize his progressive dissociation from the realist paradigm. The goal is also to correct an imbalance of critical attention by refocusing on Hage’s more recent, equally challenging work. The richness of Hage’s fiction is attested to by the diversity of thematic concerns and critical approaches. The volume reflects the worldwide range of Canada-oriented research, and places European perspectives alongside North American and Lebanese ones. Significantly, it features an original essay authored by Hage’s literary peer, Madeleine Thien. Contributors: F. Elizabeth Dahab, André Forget, Kyle Gamble, Syrine Hout, Ewa Macura-Nnamdi, Krzysztof Majer, Lisa Marchi, Judit Molnár, Alex Ramon, Rita Sakr, Dima Samaha, Madeleine Thien, Ewa Urbaniak-Rybicka
Liberal democracies have always accepted the need to go to war, despite the fact that war can undermine liberal values. Wars may be won or lost, not only on the battlefield, but in the perceptions of the publics who pay for them. Presentation is therefore increasingly important. Starting with the First World War, the first major war fought by liberal democracies after the emergence on mass media, Liberal Democracies at War explores the relationship between representations of liberal violence and the ways in which the liberal state understands 'rights' in war. Experts in the field explore crucial questions such as: · How have the violences of war perpetrated in their names been communicated to publics of liberal democracies? · How have representations of conflict changed over time? · How far have the victims of liberal wars been able to insert their stories into the record?
Opening up the field of diasporic Anglo-Arab literature to critical debate, this companion spans from the first Arab novel in 1911 to the resurgence of the Anglo-Arabic novel in the last 20 years. There are chapters on authors such as Ameen Rihani, Ahdaf
Diaspora is an ancient term that gained broad new significance in the twentieth century. At its simplest, diaspora refers to the geographic dispersion of a people from a common originary space to other sites. It pulls together ideas of people, movement, memory, and home, but also troubles them. In this volume, established and newer scholars provide fresh explorations of diaspora for twenty-first century literary studies. The volume re-examines major diaspora origin stories, theorizes diaspora through its conceptual intimacies and entanglements, and analyzes literary and visual-cultural texts to reimagine the genres, genders, and genealogies of diaspora. Literary mappings move across Africa, the Americas, Middle East, Asia, Europe, and Pacific Islands, and through Atlantic, Pacific, Mediterranean, Gulf, and Indian waters. Chapters reflect on diaspora as a key concept for migration, postcolonial, global comparative race, environmental, gender, and queer studies. The volume is thus an accessible and provocative account of diaspora as a vital resource for literary studies in a bordered world.
This collection shows the depth and range of James Joyce's relationship with key literary, intellectual and cultural issues that arose in the nineteenth century. Thirteen original essays explore several new themes in Joyce studies, connecting Joyce's writing to that of his predecessors, and linking Joyce's formal innovations to his reading of, and immersion in, nineteenth-century life. The volume begins by addressing Joyce's relationships with fictional forms in nineteenth-century and turn-of-the-century Ireland. Further sections explore the rise of new economies of consumption and Joyce's formal adaptations of major intellectual figures and issues. What emerges is a portrait of Joyce as he has not previously been seen, giving scholars and students of fin-de-siècle culture, literary modernism and English and Irish literature fresh insight into one of the most important writers of the past century.
What happens when prophecies fail? Timothy Jenkins' re-reading of Leon Festinger's classic work on "cognitive dissonance" seeks to answer this question by studying a 50s doomsday group. This volume explores the relations between anthropology and psychology, and between social scientific and natural scientific accounts of human behavior.
Just the Facts Ma'am is the only book written from an economics perspective that addresses one of the most remarkable cases of the reversal of corruption in the history of the United States - a case of corruption in the Los Angeles Police Department.
Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec explores strategies for reading space and conflict in Canadian and Québécois literature and cultural performances, positing questions such as: how do these texts and performances produce and contest spatial practices? What are the roles of the nation, city, community, and individual subject in reproducing space, particularly in times of global hegemony and neocolonialism? And in what ways do marginalized individuals and communities represent, contest, or appropriate spaces through counter-narratives and expressions of culture from below? Focusing on discord rather than harmony and consensus, this collection ...
When conflict, competing identities, and segregation collide; Identity, Segregation and Peace-building in Northern Ireland explores the implications for peace-building in Northern Ireland, and across the globe.
Interweaving the influential voices of African, Caribbean, and Latinx authors, this book challenges eurocentric notions of World Literature.