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Walk the halls of the famous studio that produced hits for Otis Redding, Isaac Hayes, Sam and Dave, and Booker T. and the MGs. Soulsville, U.S.A. provides the first history of the groundbreaking label along with compelling biographies of the promoters, producers, and performers who made and sold the music. Over 45 photos. Winner of the 1998 ASCAP-Deems Taylor Award Winner of the ARSC Award for Best Research in Record Labels
Putting Jesus in His Place is designed to introduce Christians to the wealth of biblical teaching on the deity of Christ and give them the confidence to share the truth about Jesus with others.
For 2,000 years, Christians passionate to share the truth about Jesus with other people have thoughtfully done so through books. The technical term for such persons is apologists--meaning those who give a defense--but we could call them "faith thinkers." They engage in what the fifth-century apologist Augustine called "faith seeking understanding." Augustine is one of the 30 "faith thinkers" profiled here, in each case focusing on one of that apologist's most famous books. From Luke's book Acts of the Apostles in the first century to Lee Strobel's The Case for Christ at the end of the 20th century, you will get a clear overview of the history of Christian faith thinkers. Becoming familiar with the works of these 30 thinkers will prepare you to participate meaningfully in a 2,000-year-old conversation.
Rufus Thomas may not be a household name, but he is widely regarded as the patriarch of Memphis R&B, and his music influenced three generations. His first singles in the early 1950s were recorded as blues transitioned into R&B, and he was arguably one of the founding fathers of early rock ’n’ roll. In the early 1960s, his songs “The Dog” and “Walking the Dog” made a huge impact on the emerging British “mod” scene, influencing the likes of the Georgie Fame, the Rolling Stones, and the Who. And in the early 1970s, Thomas rebranded himself as the “funkiest man alive” and recorded funk classics that were later sampled by the likes of Public Enemy, Missy Elliot, and the Wu-Tan...
From the first episode to the latest feature film, two main symbols provide the driving force for the iconic television series The X-Files: Fox Mulder's "I Want to Believe" poster and Dana Scully's cross necklace. Mulder's poster may feature a flying saucer, but the phrase "I want to believe" refers to more than simply the quest for the truth about aliens. The search for extraterrestrial life, the truth that is out there, is a metaphor for the search for God. The desire to believe in something greater than ourselves is part of human nature: we want to believe. Scully's cross represents this desire to believe, as well as the internal struggle between faith and what we can see and prove. The X...
This volume of the Zondervan Guide to Cults and Religious Movements sheds new light on the intrigue of the Jehovah's Witness movement.
Leading with a synopsis of former governor Mitt Romney?s Mormon heritage, Robert M. Bowman Jr. introduces the Church of Latter-day Saints (LDS) for a curious American public. Bowman?s judicious overview tells the history of LDS from Joseph Smith to the present and summarizes the unique tenets of faith arising from the Book of Mormon.
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The X-Files was one of the most subversive and longest-running science fiction series in US television history. Yet very little serious work has been done to examine the hit series. Deny All Knowledge examines topics such as: - Why is the series such a hit worldwide? - Why is The X-Files so popular online, generating dozens of websites and chat groups daily? - How does The X-Files' Conspiracy Theory compares to shows from the 1950s? - Can The X-Files be considered a modern-day myth? - What does The X-Files tell us about gender roles today?