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Locked Room Murders
Locked Room Murders is a bibliography containing a description of the problem and, separately, the solution to locked room and impossible crime novels and short stories.It has been a classic in the locked room pantheon for over 40 years, beginning with a 1972 article by Bob Adey in The Armchair Detective. The first edition of Locked Room Murders, published by Ferret Fantasy in 1979, covered 1280 titles. The 1991 second edition, published by Crossover Press, covered 2019 titles. Due to limited print runs, both editions have become prohibitively expensive. Locked Room International (LRI) is now making a revised version of the Second Edition available at an affordable price. Edited by Brian Skupin, LRI consultant and co-publisher of Mystery Scene magazine, this revised version contains the same 2019 titles, but with corrections and additional references which have appeared since 1991.Plans are in place to publish a Supplemental Edition in 2019, to include novels and short stories (including translations from sources outside the Anglosphere) published since 1991, films, TV series, graphic novels, and other media. It will not contain any of the titles in the Second Edition, Revised.
Mystery Fanfare
This work is a composite index of the complete runs of all mystery and detective fan magazines that have been published, through 1981. Added to it are indexes of many magazines of related nature. This includes magazines that are primarily oriented to boys' book collecting, the paperbacks, and the pulp magazine hero characters, since these all have a place in the mystery and detective genre.
The Supernatural and Fantastic in Short Detective Fiction
Although fantasy and supernatural literature have long and celebrated histories, many critics contend that the fantastic and the supernatural have no place in the logical, rational, world of the detective story. This book is the first extensive study of the fantastic in detective fiction and it explores the highly debated question of whether detective fiction and the fantastic can comfortably coexist. The "locked room" mystery--which often uses the fantastic as a red herring to eventually be debunked by reason and logic--has long been among the most popular subgenres of detective fiction. This book also explores stories featuring almost supernaturally gifted detectives, stories where the supernatural is truly encountered, and stories with ambiguous endings. Close to 500 detective stories from 1841 to 2000, in which the fantastic or supernatural plays a central role, are discussed and analyzed. Although not all the stories are judged to be successful as detective tales, in the great majority, the fantastic enlivens the tale and deepens the mystery without weakening the detective elements.
The Dark Side of G.K. Chesterton
This is a critical study of the great British man of letters G.K. Chesterton, devoted to the novels, stories and essays that explore the darker fringes of his wild imagination. "Everything is different in the dark," wrote Chesterton; "perhaps you don't know how terrible a truth that is." Chesterton's use of the theme of "gargoyles" provides the thematic structure of the book. It covers the detective stories of Father Brown and others, the locked rooms and miracle crimes in his writing, his status as a science fiction writer, and the riddles and paradoxes of three works--Job, The Man Who Was Thursday, and the play The Surprise. This volume also includes an interlude about Chesterton and Jorge Luis Borges and a robust appendix including interviews about the formation of Ignatius Press's Collected Chesterton.
The Boy's Own Annual
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The Pirates! In an Adventure with Communists
I've been thinking of an adventure more along the lines of pearl-smuggling in the South Seas or discovering a lost continent. We're being sponsored, you see, so it's got to be full of glamorous locations and scantily clad women. He's conquered the seven seas, hunted Moby Dick and rescued Charles Darwin; now the Pirate Captain and his crew are off on another adventure. Their mission this time: to sail to London, buy a new suit for the Pirate Captain and maybe have some sort of adventure in a barnyard. But nothing is ever straightforward for the hapless pirates. In no time at all, the Pirate Captain is incarcerated at Scotland Yard in a case of mistaken identity. Discovering that his doppelganger is none other than Karl Marx, the Captain and his crew are unwittingly caught up in a sinister plot involving communists, enormous beards and a quest to discover whether ham might really be the opium of the people.
