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Negative Space
While sitting on a French terrace overlooking a three–hundred–year–old olive grove at sunset, a man listens as his wife confesses her love for someone else. Preparing to leave after twenty years of marriage, she details her erotic and emotional life, a confession that leaves her husband spent but delirious with love for her. The imminent loss of the passion of his life leads him to experience the power of desire, grief, and flushed obsession—and thus begins this riveting monologue at the end of a marriage, one that is mesmerizing with anger and regret. Entirely alive in these intense moments, the husband examines every experience, every feeling that floods his mind with grief and anticipation. And this need, this experience, becomes one of absolute truth, as the story itself becomes composed of complicating love and loss. Negative Space joins Steiner's earlier fictions—such as Bathers, Dread, and The Catastrophe—in evoking the dark texture and brilliant detail of erotic loss. The result is an exploration of heartbreak and sexual obsession the reader will not soon forget.
Don't Get Taken!
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The New Essential Steiner
12 lectures, Hamburg, May 5-31, 1908 (CW 103) During Pentecost 1908--seven years after he had given the world his book Christianity As Mystical Fact and the first intimation of the consequences of his Christ experience--Rudolf Steiner began his great work of renewing humanity's understanding of the Mystery of Golgotha and its meaning for human and earthly evolution. Accordingly, he turned to the deepest, most spiritual of the Gospels--that of the initiate St. John. In this lecture course, readers will find that the incarnation, death, and resurrection of the Divine Word, or Logos, reveals the mission of the Earth: Love. We learn of the mysteries behind Lazarus' resurrection, the "I AM" sayin...
My Unwritten Books
George Steiner, the eminent professor of English at Cambridge and Geneva universities, has outlined seven books he has never written, but has always wanted to write, in seven sections. In this fiercely original and audacious work, George Steiner tells of seven books which he did not write. Because intimacies and indiscretions were too threatening. Because the topic brought too much pain. Because its emotional or intellectual challenge proved beyond his capacities. The actual themes range widely and defy conventional taboos: the torment of the gifted when they live among, when they confront, the very great; the experience of sex in different languages; a love for animals greater than for human beings; the costly privilege of exile; a theology of emptiness. Yet a unifying perception underlies this diversity. The best we have or can produce is only the tip of the iceberg. Behind every good book, as in a lit shadow, lies the book which remained unwritten, the one that would have failed better.
Nothing Lasts Forever
In these three novellas, spouses and lovers are at the edge of themselves, saying the unsayable, doing the undoable, challenging us to keep our eyes open to disintegration and pain. At the core of each tale is an erotic intensity, realized in urgent prose and unforgettable stories. "Into the Green Ocean Deep" portrays a husband's last days with a dying mistress as they explore the last flames of eroticism and transgression. After she dies, the husband's wife returns. "He said to his wife, or thinks he said, on a morning with a sunrise because he remembers a whiskey in his hand, Regarding my fidelity to the dead woman, even though she's dead, what to do I don't know." Negative Space takes pla...
George Steiner at The New Yorker
An education in a portmanteau: George Steiner at The New Yorker collects his best work from his more than 150 pieces for the magazine. Between 1967 and 1997, George Steiner wrote more than 130 pieces on a great range of topics for The New Yorker, making new books, difficult ideas, and unfamiliar subjects seem compelling not only to intellectuals but to “the common reader.” He possesses a famously dazzling mind: paganism, the Dutch Renaissance, children’s games, war-time Britain, Hitler’s bunker, and chivalry attract his interest as much as Levi-Strauss, Cellini, Bernhard, Chardin, Mandelstam, Kafka, Cardinal Newman, Verdi, Gogol, Borges, Brecht, Wittgenstein, Chomsky, and art historian/spy Anthony Blunt. Steiner makes an ideal guide from the Risorgimento in Italy to the literature of the Gulag, from the history of chess to the enduring importance of George Orwell. Again and again everything Steiner looks at in his New Yorker essays is made to bristle with some genuine prospect of turning out to be freshly thrilling or surprising.
Bathers
In Bathers, Steiner meditates on the explosive dualities that lie below the surface of word and deed: love in violence, ethics in madness, the objectivity born of fictive illusion. Ultimately, the author asks us to test ourselves against our own perceived reality, to accept the mythic tendency of the everyday world.
Mastering Financial Calculations
Practical and interactive, the book contains worked examples throughout.
Schaum's Outline of Mathematics for Physics Students
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