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Dread and Pentecostal
In this authoritative and passionately argued book, Robert Beckford explores the future of Black British Pentecostalism in a society where the notion of White supremacy--even in faith--is all too evident. Drawing on Black, womanist, and post-colonial theologies of liberation, he urges the Black Church to regain its traditional prophetic role as part of its ministry. He suggests that the Caribbean's first liberation theology, Rastafari, has much to offer all Christians concerned with speaking prophetically into social and political life in Britain. Reflecting on aspects of Rastafari, Black Pentecostalism and the meaning of Jesus in the world today, he develops a new model for a Black political faith--a Dread Pentecostal theology.
Documentary as Exorcism
The documentary maker reflects on his art, and how he navigates between theology and visual culture as an academic, activist and practitioner.
Duppy Conqueror
This book contours Robert Beckford's recontextualization of African American Black and Womanist theologies of liberation. Making the black British experience a point of departure, Beckford's theological method appropriates two distinct approaches to pursue a contextual theology or a Black theology dub: first, a correlation of linguistic concepts from Black cultural history and urban life (Rahtid, Dread, and Dub) with the theological categories of "God," "Jesus," and the "Spirit"; second, a media theopraxis or inscribing of Black theology onto commercial television documentary filmmaking and studio-produced contemporary gospel music. In the My Theology series, the world's leading Christian thinkers explain some of the principal tenets of their theological beliefs in concise, pocket-sized books.
Jesus Dub
Robert Beckford explores the dialogue between two central institutions in African Caribbean life: the church and the dancehall. He highlights how Dub – one of the central features of dancehall culture – can be mobilized as a framework for re-evaluating theology, taking apart doctrine and reconstructing it under the influence of a guiding theme. Engaging with the social and cultural heritage that informs Christian African Caribbean culture, including the influence of slavery, Revival Christianity and working class Jamaican life, Black theology and music ranging from post-war Sound System to American Hip Hop, Jesus Dub is a detailed exploration of how throughout history, music and faith have been transformed in response to racialised oppression. Finally, Beckford demonstrates that dub style appears in the teachings of Jesus, and that Dub is a tool which can provide new ways of envisaging and practising spiritual gifts and financial giving, proposing a more inclusive theology for everyone.
Decolonizing Contemporary Gospel Music Through Praxis
Is contemporary Black British gospel music a coloniality? What theological message is really conveyed in these songs? In this book, Robert Beckford shows how the Black British contemporary gospel music tradition is in crisis because its songs continue to be informed by colonial Christian ideas about God. Beckford explores the failure of both African and African Caribbean heritage Churches to Decolonise their faith, especially the doctrine of God, biblical interpretation and Black ontology. This predicament has left song leaders, musicians and songwriters with a reservoir of ideas that aim to disavow engagement with the social-historical world, black Biblical interpretation and the necessity of loving blackness. This book is decolonisation through praxis. Reflecting on the conceptual social justice album 'The Jamaican Bible Remix' (2017) as a communicative resource, Beckford shows how to develop production tools to inscribe decolonial theological thought onto Black British music(s). The outcome of this process is the creation of a decolonial contemporary gospel music genre. The impact of the album is demonstrated through case studies in national and international contexts.
Keith Piper
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Dreams, Waking Thoughts, and Incidents
DigiCat Publishing presents to you this special edition of "Dreams, Waking Thoughts, and Incidents" by William Beckford. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
God and the Gangs
Violent crime including gang warfare and the use of firearms affects many urban communities, with a growing number of alarming incidents reported in the media. Churches often struggle to find appropriate ways to respond to these crises and the pastoral needs that arise from them.Robert Beckford, lecturer in Black Theology at the University of Birmingham, attempts to provide some much-needed theological tools for an understanding of the rise of disaffection among black urban youth. Offering a clear analysis of the cultural and political factors at work, he argues for an approach based on reflection and action to seek life-transforming responses. Accessibly written, God and the Gangs is essential reading for those seeking to resource themselves for urban work or ministry. Includes a foreword by the Archbishop John Sentamu.
Black Theology in Britain
Black theology as a discipline emerged in 1960s America, growing out of the experiences of Black people of the African Diaspora as they sought to re-interpret the central ideas of Christianity in light of struggle and oppression. However, a form of Black theology has been present in Britain since the time of slavery. 'Black Theology in Britain' offers the first comprehensive survey of Black theology, tracing its development in Britain from the eighteenth century to today. The essays cover a wide range of topics: Black Liberation; drama as a medium for Black theology; the perspective of Black women; Black theology in the pulpit and pastoral care; and the work of Robert Beckford and Anthony Reddie. 'Black Theology in Britain' is a key resource for students of British history, cultural studies, Black theology, and religious studies.
