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The New New Journalism
Forty years after Tom Wolfe, Hunter S. Thompson, and Gay Talese launched the New Journalism movement, Robert S. Boynton sits down with nineteen practitioners of what he calls the New New Journalism to discuss their methods, writings and careers. The New New Journalists are first and foremost brilliant reporters who immerse themselves completely in their subjects. Jon Krakauer accompanies a mountaineering expedition to Everest. Ted Conover works for nearly a year as a prison guard. Susan Orlean follows orchid fanciers to reveal an obsessive subculture few knew existed. Adrian Nicole LeBlanc spends nearly a decade reporting on a family in the South Bronx. And like their muckraking early twenti...
The Invitation-Only Zone
During the 1970s and early 80s, dozens - perhaps hundreds - of Japanese civilians were kidnapped by North Korean commandos and forced to live in 'Invitation Only Zones', high-security detention-centres masked as exclusive areas, on the outskirts of Pyongyang. The objective? To brainwash the abductees with the regime's ideology, and train them to spy on the state's behalf. But the project faltered; when indoctrination failed, the captives were forced to teach North Korean operatives how to pass as Japanese, to help them infiltrate hostile neighbouring nations. For years, the Japanese and North Korean authorities brushed off these disappearances, but in 2002 Kim Jong Il admitted to kidnapping thirteen citizens, returning five of them - the remaining eight were declared dead. In The Invitation Only Zone, Boynton, an investigative journalist, speaks with the abductees, nationalists and diplomats, and crab fishermen, to try and untangle both the kidnappings and the intensely complicated relations between North Korea and Japan. The result is a fierce and fascinating exploration of North Korea's mysterious machinations, and the vexed politics of Northeast Asia.
Parliamentary Papers
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The Responsible Reporter
"The book is designed as an introductory text for journalism courses but would also be useful for related classes such as magazine and feature writing, principles of journalism, and news editing."--Jacket.
The Character of Criticism
Why are some critical texts more compelling, memorable, or engaging than others? Can criticism be judged as a discourse of description, explanation, and analysis alone, or do our evaluations reflect other kinds of investments in it? In this book, Geoffrey Galt Harpham argues that the most powerful and effective criticism demands to be read as an expression of a distinctive sensibility, a way of being in the world; it demands, in other words, to be read as a discourse of character. Through a series of detailed and intimate intellectual portraits of leading critics--Elaine Scarry, Martha Nussbaum, Slavoj Zizek, and Edward Said--Harpham unfolds the complex and indirect ways in which human character is expressed in criticism. A final chapter on Criticism in a State of Terror assesses the contemporary situation. The Character of Criticism represents not just a snapshot of contemporary criticism but a fresh approach to criticism itself that clarifies the stakes involved for writers and readers of criticism alike. It does so not by making difficult thinking easy but by making it stranger--more idiosyncratic, exotic, and singular.
Anxious Intellects
DIVA critical examination of the complex role of intellectuals in contemporary society, including the often contradictory definitions of such roles advocated by intellectuals themselves./div
