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The paintings of Robert C. Jackson are introduced by Philip Eliasoph in the artist's first monograph. Using paintings from artists as diverse as Andrew Wyeth and Jasper Johns, Eliasoph's extensive knowledge of American art places Jackson's artwork into a historical context. This beautifully illustrated book includes more than 130 images of the artist's paintings with details, photographs of the artist at work, sketchbook reproductions, and an interview with the artist himself. Eliasoph colorfully proclaims, "The paintings we are about to examine are inescapably a bundle of contradictions, satirical complexities, and witty subterfuge. Essentially, Jackson is a uniquely self-realized painter. His feisty independence is fortified with healthy dosages of non-conforming eccentricity, with a small touch of screwball nuttiness." The foreword by Professor Henry Adams reveals a similar sentiment, "Notably, this is also the sort of strange mix of sensibilities one finds in the best American novelists, such as Mark Twain."
Most art books are not in the first person, so while there is some truth to the analyses, some things are always off. Robert C. Jackson set out to interview 20 contemporary representational artists (himself included) and showcase their artwork within the context of their interviews. Here you will meet Steven Assael, Bo Bartlett, Debra Bermingham, Margaret Bowland, Paul Fenniak, Scott Fraser, Woody Gwyn, F. Scott Hess, Laurie Hogin, Robert C. Jackson, Alan Magee, Janet Monafo, John Moore, Charles Pfahl, Scott Prior, Stone Roberts, Sandra Mendelsohn Rubin, Daniel Sprick, Will Wilson, and Jerome Witkin. Each of these artists has a very elusive qualityâa unique voice. Seeing their work from across a room they are all recognizable. Their artworks are showcased in this large book with more than 140 images of their paintings as well as photographs of the artists in their studios and an epilogue by Pamela Sienna.
Describes how Berlin was supplied by the West when all road and rail links between the city and the West were severed by the Soviets in 1945.
Charts the evolution of the Supermarine Spitfire, from its early forebears and the Schneider Trophy racers to the last of the breed. Features include unpublished photos, first-person accounts, unique memorabilia, and special "up-close" images of key marks.
A gripping account of the most famous military defeat and retreat in history, now the subject of a major motion picture, written and directed by Christopher Nolan and starring Kenneth Branagh, Tom Hardy and Mark Rylance. The NEW YORK TIMES of 2 June 1940 summed up the greatest disaster in British history thus: 'As long as the English tongue survives, the word 'Dunkirk' will be spoken with reverence.' This book tells the story of the Dunkirk evacuation. It traces the fortunes of the British Expeditionary Force during those dark days of May 1940 when boys armed with little more than rifles took on the might of Hitler's Panzer divisions - and held them while Allied armies crumbled on all sides. The evacuation at Dunkirk lifted more than 338,000 men from France to the safety of Britain using everything from Destroyers to pleasure yachts. It was the biggest single defeat ever suffered by British arms, but it was also one of the most astounding exoduses in history.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
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In late 1941 and early 1942 Zero fighters, flying from carriers or land bases, wrought havoc over Pearl Harbor, the Philippines, Singapore and other targets in the Pacific. When the tide of war turned against the Japanese, Zero Pilots died by the hundred in air battles or kamikaze attacks on the advancing American forces. When first adopted into service in 1940, the Zero was equal to any other fighter in service throughout the world and better than most. In the latter stages of the war the Hellcat and Lightning eventually outclassed the aircraft.