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One of the difficulties for Protestant, Evangelical, Pentecostal, and other Christians is how to understand the Eucharist as sacrifice, offering, and oblation. A return to ancient Jewish and Christian sources has uncovered the category of the offering of firstfruits. This is found in a lesser degree among Second Temple Judaism and to a greater degree in early Christian literature beginning with the New Testament itself. This has brought renewed interest in understanding the Eucharist not only in the context of the Feast of Passover, but also in light of the Feast of Pentecost and the offering of firsfruits, and within the context of the Zebach tôdâ —that is, the sacrifice of praise and t...
The studies collected in Preaching after Easter examine the festal history and homiletics of Mid-Pentecost, Ascension, and Pentecost in the late antique Mediterranean world. Articles on individual sermons or the work of individual preachers such as John Chrysostom, Augustine of Hippo, Peter Chrysologus, Leo the Great, and Severus of Antioch exhibit the richness of late antique festal preaching. Questions of authenticity, heresiology, and theological, exegetical, or liturgical history are addressed with methodological rigor. Complementary contributions that deal with ancient Jewish-Christian dialogue, art-historical reception, and contemporary liturgical theology illustrate the wide ramifications of ancient Christian festal practice. Students and scholars of these feasts and the interpretive traditions devoted to them will find this volume to be an indispensable source of information and analysis.
It is a terrible irony that notwithstanding what can be described as the miraculous achievements of the Catholic Church in Igbo land especially in numbers and structures, Igbo Catholicism as a project has remained largely stalled both in theological reflection and other critical activities associated with it. Igbo Catholicism perhaps ranks dead last among its peers in indigenous theological activities. With regard to theological reflection, the Church in Igbo land looks like a dormant volcano. The potential for eruption is there for everybody to see. Yet she does not seem to be able to release the first surge of the molten lava.
"The Oxford History of Christian Worship is a comprehensive and authoritative history, lavishly illustrated, of the origins and development of Christian worship up to the present day. Following contemporary methods in scholarship, it attends to social and cultural contexts and examines the worship traditions from both Eastern and Western Christianity, ancient and modern. It offers a chronological account, while encompassing spatial and confessional variations, from Baptists in Britain to Roman Catholics in Mexico, from Orthodox in Ethiopia to Pentecostals in the United States, from Lutheran and Reformed in Europe to united churches in India and Australia. The material details of Christian worship, such as music, architecture, and the visual arts, are considered within specific cultural contexts throughout the volume as well as studied thematically in individual chapters."--BOOK JACKET.
"Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": clos...
2006 Catholic Press Association Award Winner After suffering an eclipse during the post-Vatican II liturgical reform, popular piety has regained its vital role in the spiritual life of Catholics. In response to its re-emergence, the Congregation for divine Worship and the Discipline of the Sacraments issued the Directory on Popular Piety and the Liturgy on December 17, 2001. The Directory was written for bishops and their collaborators as a pastoral guide addressing the relationship between liturgy and popular piety. Directory on Popular Piety and the Liturgy: Principles and Guidelines, A Commentary by Peter C. Phan provides a chapter-by-chapter commentary on the Directory, summarizing its c...
Written for a broadly ecumenical audience, 'Where Two or Three Are Gathered' explores what Harmon Smith calls the universe of discourse between the language of Christian worship and the language of morals. Following the customary order of the church's liturgy, Smith demostrates how worship is meant to engender personal and social holiness, and how, for example, prayer, the eucharist, and baptism are inextricably tied to our moral understanding of such searing and conflicted issues as captital punishment, pacifism and warfare, surrogacy, and physician-assisted suicide.
Mary M. Schaefer examines the ninth-century church Santa Prassede and its foundation myth, as well as an ideal of balanced male-female relationships and women holding pastoral office in the church of Rome.
As parish communities contnue to implement and celebrate the revised rites of the church, the need for sacramental policies and procedures has become more evident. This is a guide for parishes that are discovering the need for a process and the tools for developing such policies and procedures for wosrhip. The goal of this book is to help communities develop a strong and rich liturgical tradition. --Back cover.
In Miserere Mei, Clare Costley King'oo examines the critical importance of the Penitential Psalms in England between the end of the fourteenth and the beginning of the seventeenth century. During this period, the Penitential Psalms inspired an enormous amount of creative and intellectual work: in addition to being copied and illustrated in Books of Hours and other prayer books, they were expounded in commentaries, imitated in vernacular translations and paraphrases, rendered into lyric poetry, and even modified for singing. Miserere Mei explores these numerous transformations in materiality and genre. Combining the resources of close literary analysis with those of the history of the book, i...