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Black British Cultural Studies has attracted significant attention recently in the American academy both as a model for cultural studies generally and as a corrective to reigning constructions of Blackness within African-American studies. This anthology offers the first book-length selection of writings by key figures in this field. From Stuart Hall's classic study of racially structured societies to an interview by Manthia Diawara with Sonia Boyce, a leading figure in the Black British arts movement, the papers included here have transformed cultural studies through their sustained focus on the issue of race. Much of the book centers on Black British arts, especially film, ranging from a historical overview of Black British cinema to a weighing of the costly burden on Black artists of representing their communities. Other essays consider such topics as race and representation and colonial and postcolonial discourse. This anthology will be an invaluable and timely resource for everyone interested in cultural studies. It also has much to offer students of anthropology, sociology, media and film studies, and literary criticism.
A collection of writings and visual works from the UK magazine Undercut, together with newly-commissioned articles by leading critics in the field.
This book looks at a sector of black and Asian British film and television as it presented itself in the 1990s and early 2000s. For this period, a ‘mainstreaming’ of black and Asian British film has been observed in criticism and theory and articulated by an increasing number of practitioners themselves, referring to changing modes of production, distribution and reception and implying a more popular and commercial orientation of certain media products. This idea is a leitmotif for the authors’ readings of recent films and examples of television drama, including such diverse products as Young Soul Rebels and Babymother, East Is East and Bend It Like Beckham, The Buddha of Suburbia and White Teeth. These analyses are supplemented with a look at earlier landmark productions (like Pressure) as well as relevant social, institutional and aesthetic frameworks. The book closes with a selection of statements by black and Asian media practitioners who operate from within Britain’s cultural industries: Mike Phillips, Horace Ové, Julian Henriques, Parminder Vir and Gurinder Chadha.
M.M. Thomas was one of the chief architects of the modern ecumenical movement. An outstanding theologian, his original and rather unconventional explorations into ecumenical social ethics remain highly relevant even today. Long before liberation theology burst on the scene, Thomas raised his prophetic voice for the liberation of humanity from the dehumanizing structures. Focusing on the theological and social contributions of M.M. Thomas and his legacy for our times, and published with the support of the Council for World Mission to coincide with the centenary of Thomas' birth, this collection brings together an international panel of distinguished scholars, theologians and church leaders.
Explores what Buddhism has to say about the human condition and in particular about living in a violent world. Drawing on the realities of the violent ethnic conflicts in Sri Lanka, this book shows that there are no easy answers but Buddhism has much to offer to those who want to understand better the dynamics of conflict.
The eruption in the early 1990s of highly visible humanitarian crises and exceedingly bloody civil wars in the Horn of Africa, imploding Yugoslavia, and Rwanda, set in motion a trend towards third party intervention in communal conflict in areas as far apart as the Balkans and East Timor. However haltingly and selectively, that trend towards extra-systemic means of managing ethnic and national conflict is still discernible, motivated as it was in the 1990s by the inability of in-house accommodation methods to resolve ethno-political conflicts peacefully and the tendency of such conflicts to spill into the international system in the form of massive refugee flows, regional instability, and fa...
This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon.
Considers the ephemeral nature of the cinematic experience as we now apprehend it, and examines the ways in which technological advances in film and moving image production have changed this experience over the course of the last thirty-odd years.
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