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La Caverne
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Guide to the Pianist's Repertoire
Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.
The Cambridge Companion to Mozart
Table of contents
Mozart's Piano Concertos
A celebration and exploration of a monumental achievement
Mozart the Performer
An innovative study of the ways performance influenced Mozart’s compositional style. We know Mozart as one of history’s greatest composers. But his contemporaries revered him as a multi-instrumentalist, a dazzling improviser, and the foremost keyboard virtuoso of his time. When he composed, it was often with a single aim in mind: to set the stage, quite literally, for compelling and captivating performances. He wrote piano concertos not with an eye to posterity but to give himself a repertoire with which to flaunt his keyboard wizardry before an awestruck public. The same was true of his sonatas, string quartets, symphonies, and operas, all of which were painstakingly crafted to produce ...
Six English Suites
Bach's Six English Suites have been newly engraved from the acclaimed Hans Bischoff edition. These fresh, easily read pages will make lessons and work towards performance more simple and exciting. Included is a lengthy preface by Bischoff, discussing materials used to develop this edition, along with various footnotes throughout the text to clarify performance. Titles: * No. 1 in A Major * No. 2 in A Minor * No. 3 in G Minor * No. 4 in F Major * No. 5 in E Minor * No. 6 in D Minor
Mozart's Requiem
A fresh evaluation of Mozart's Requiem which focuses on historical and current understandings in fiction, drama, film, criticism and performance.
Fakt und Fiktion – Das Requiem Mozarts
Diese Einführung befasst sich im ersten Teil eingehend mit Geschichte und Rezeption des Requiems. Daran an schließt sich eine ausführliche Dokumentation der Requiem-Edition Ostrzygas. Darüber hinaus stellt diese Einführung die erste umfassende analytische Studie zum Requiem dar, die auf historisch informierter Musiktheorie und künstlerischer Praxis (vor allem in Komposition, Instrumentation, Arrangieren) basiert. Sie räumt kritisch mit zahlreichen, auch in der Fachliteratur verbreiteten Vorurteilen gegenüber Süßmayrs Arbeit auf und erörtet zudem Probleme bisheriger Ergänzungs- und Bearbeitungsversuche.
