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The Big Goodbye
'A multifaceted dissection of the infamous noir film ... good reading for any American cinema buff' KirkusChinatown is the Holy Grail of 1970s cinema. Its ending is the most notorious in American film and its closing line of dialogue the most haunting. Here for the first time is the incredible true story of its making. In Sam Wasson's telling, it becomes the defining story of its most colorful characters. Here is Jack Nicholson at the height of his powers, embarking on his great, doomed love affair with Anjelica Huston. Here is director Roman Polanski, both predator and prey, haunted by the savage murder of his wife, returning to Los Angeles, where the seeds of his own self-destruction are quickly planted. Here is the fevered deal-making of "The Kid" Robert Evans, the most consummate of producers. Here too is Robert Towne's fabled script, widely considered the greatest original screenplay ever written. Wasson for the first time peels off layers of myth to provide the true account of its creation. Looming over the story of this classic movie is the imminent eclipse of the '70s filmmaker-friendly studios as they gave way to the corporate Hollywood we know today.
Strategies of Control
This groundbreaking study of transitions and control in the California prison system has been extensively read, cited, and quoted in unpublished form—and is finally easily available worldwide. Already a compelling part of the canon of studies in penology, criminology, sociology, and organizational theory, this new edition of STRATEGIES OF CONTROL adds a 2016 foreword by Howard S. Becker and afterword by Jonathan Simon, both contributing substantive and meaningful views of this important work. Considered influential to two generations of scholars worldwide, Messinger's thesis examining prison systems' organization and reform—or in some ways, regression—is said to anticipate Erving Goffm...
Erving Manuel Goffman
Erving Goffman is the most cited American sociologist. There is no shortage of studies exploring Goffman’s scholarship but no extant biography of Erving Goffman. The chief reason is that a man who looked behind the facades people erect to protect their private selves, zealously guarded his own backstage. This book is the first comprehensive biography of Goffman, an intellectual of Russian-Jewish descent, who turned the “Potemkin village” trope into a powerful research program. The present study shows how key turns in Goffman’s career reflected dramatic events in his family and personal history. It is based on the materials gathered in the Erving Goffman Archives, a repository curated by the author who has been collecting documents and conducting interviews with Goffman’s relatives, colleagues, and friends. The archival work turned up documents which improve our understanding of Goffman the scholar, the teacher, and the man. The approach adopted in this investigation sheds new light on Goffman’s scholarship which has had an enormous and continuous impact across the social sciences and humanities.
What We Say, who We are
In What We Say, Who We Are: Leopold Senghor, Zora Neale Hurston, and the Philosophy of Language, Parker English explores the commonality between Leopold Senghor's concept of "negritude" and Zora Neale Hurston's view of "Negro expression." For English, these two concepts emphasize that a person's view of herself is above all dictated by the way in which she talks about herself. Focusing on what he identifies as "performism," English discusses the presentational/representational and externalistic/internalistic facets of "performism" as they relate to the ideas of Senghor and Hurston. English ends his work by closely examining Hurston's Their Eyes Were Watching God in light of his discussion of "performism," and draws new, intriguing conclusions about the extent to which Hurston's main character exemplifies W.E.B. DuBois's concept of double-consciousness. What We Say, Who We Are will certainly pique the interest of scholars interested in Africana studies, African-American literature, and the philosophy of language.
Customers and Patrons of the Mad-Trade
His case book testifies to the scope and prosperity of Monro's "trade in lunacy," and Jonathan Andrews and Andrew Scull brilliantly exploit the opportunity it affords to look inside the mad-business.".
Life as Theater
Life as Theater is about understanding people and how the dramaturgical way of thinking helps or hinders such understanding. A volume that has deservedly attained the status of a landmark work, this was the first book to explore systematically the material and subject matter of social psychology from the dramaturgical viewpoint. It has been widely used and quoted, and has sparked ferment and debate in fields as diverse as sociology, psychology, anthropology, political science, speech communication, and formal theater studies.Life as Theater is organized around five substantive issues in social psychology: Social Relationships as Drama; The Dramaturgical Self; Motivation and Drama; Organizati...
Handbook of Symbolic Interactionism
Symbolic interactionism has a long history in sociology, social psychology, and related social sciences. In this volume, the editors and contributors explain its history, major theoretical tenets and concepts, methods of doing symbolic interactionist work, and its uses and findings in a host of substantive research areas.
Performance: pt. 1. Foundations and definitions
This collection reflects not only the multidisciplinary nature of current thinking about performance, but also the complex and contested nature of the concept itself.
Undertaker of the Mind
As visiting physician to Bethlem Hospital, the archetypal "Bedlam" and Britain's first and (for hundreds of years) only public institution for the insane, Dr. John Monro (1715–1791) was a celebrity in his own day. Jonathan Andrews and Andrew Scull call him a "connoisseur of insanity, this high priest of the trade in lunacy." Although the basics of his life and career are well known, this study is the first to explore in depth Monro's colorful and contentious milieu. Mad-doctoring grew into a recognized, if not entirely respectable, profession during the eighteenth century, and besides being affiliated with public hospitals, Monro and other mad-doctors became entrepreneurs and owners of pri...
University Bulletin
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