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According to many commentators, Davidson’s earlier work on philosophy of action and truth-theoretic semantics is the basis for his reputation, and his later forays into broader metaphysical and epistemological issues, and eventually into what became known as the triangulation argument, are much less successful. This book by two of his former students aims to change that perception. In Part One, Verheggen begins by providing an explanation and defense of the triangulation argument, then explores its implications for questions concerning semantic normativity and reductionism, the social character of language and thought, and skepticism about the external world. In Part Two, Myers considers what the argument can tell us about reasons for action, and whether it can overcome skeptical worries based on claims about the nature of motivation, the sources of normativity and the demands of morality. The book reveals Davidson’s later writings to be full of innovative and important ideas that deserve much more attention than they are currently receiving.
A Companion to Donald Davidson presents newly commissioned essays by leading figures within contemporary philosophy. Taken together, they provide a comprehensive overview of Davidson’s work across its full range, and an assessment of his many contributions to philosophy. Highlights the breadth of Davidson's work across philosophy Demonstrates the continuing influence his work has on the philosophical community Includes newly commissioned contributions from leading figures in contemporary philosophy Provides an in-depth exposition and analysis of Davidson's work across the range of areas to which he contributed, including philosophy of action, epistemology, metaphysics, philosophy of language, and philosophy of mind
This brief book takes readers to the very heart of what it is that philosophy can do well. Completed shortly before Donald Davidson's death at 85, Truth and Predication brings full circle a journey moving from the insights of Plato and Aristotle to the problems of contemporary philosophy. In particular, Davidson, countering many of his contemporaries, argues that the concept of truth is not ambiguous, and that we need an effective theory of truth in order to live well. Davidson begins by harking back to an early interest in the classics, and an even earlier engagement with the workings of grammar; in the pleasures of diagramming sentences in grade school, he locates his first glimpse into th...
This catalogue brings together for the first time 81 of Robert Morris's Blind Time Drawings, selected from the six series that make up the corpus of this work to which Morris has dedicated more than 30 years. The entire range is present from the early drawings of 1973 up to the Moral Drawings of 2000, with a particular emphasis on the fourth series, a group of works inspired by the writings of the philosopher Donald Davidson. Visually striking, the Blind Time Drawings, as the name implies, were executed by the artist with his eyes covered. Consisting of stark black-and-white contrasts, explosions of graphite, and obsessive markings that move organically throughout the page, the works are anything but haphazard. Morris followed a strict plan when doing the works, and his writing, which describes his process, is instrumental to understanding them. In addition, these works are placed within the context of Morris's Minimalist and Conceptualist masterpieces such as Card File (1962), Mirrored Cubes (1965) and Portland Mirrors (1977).
"The idea that prompted the conferenee for which many of these papers were written, and that inspired this book, is stated in the Editorial Introduction reprinted below from Volume 21 of Synthese. The present volume contains the artieles in Synthese 21, Numbers 3-4 and Synthese 22, Numbers 1-2. In addition, it ineludes new papers by Saul Kripke, James McCawley, John R. Ross, and Paul Ziff, and reprints 'Grammar and Philosophy' by P. F. Strawson. Strawson's artiele first appeared in the Proceedings of the Aristotelian Society, Volume 70, and is reprinted with the kind permission of the author and the Aristotelian Society. We also repeat our thanks to the Olivetti Companyand Edizione di Comuni...
Yes, you seem to have been anything but an iconophile in your enterprise which is piled as high with words on one side as with images on the other. Robert Morris, “Professional Rules” By investigating the prolific oeuvre of Robert Morris via the prism of writing, this collection of essays provides an incisive lens into the work of a central figure in the visual arts since the 1960s, associated in turn with minimalism, postminimalism, conceptualism, and land art. Morris has often been labeled a theorist, although his writing mobilizes a wide variety of genres. He has espoused the style of art criticism, the verve of the polemic, as well as the forms of prose fiction and autobiography. But...
Siskiyou County Library has vol. 1 only.
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