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Chasing Immortality in World Religions
Humans have been chasing immortality since the beginning of history, seeking answers to sickness and aging, death and the afterlife, and questioning the human condition. Analyzing ideas from ancient Sumer, Egypt, Greece and India, as well as the Abrahamic religions of Judaism, Christianity and Islam, this study explores how early religious models influenced later beliefs about immortality, the afterlife, the human soul, resurrection, and reward and punishment. The author highlights shared teachings among the most influential religions and philosophies, concluding that humankind has not substantially changed its conceptions of immortality in 6,000 years. This continuity of belief may be due to chromosomal memory and cultural inheritance, or may represent a fundamental way of conceptualizing the afterlife to cope with mortality. Instructors considering this book for use in a course may request an examination copy here.
Italian Gothic Horror Films, 1980-1989
The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (Macabro, Demons) and Michele Soavi (The Church) surfacing. Horror films proved commercially successful in the first half of the decade thanks to Dario Argento (both as director and producer) and Lucio Fulci, but the rise of made-for-TV products has resulted in the gradual disappearance of genre products from the big screen. This book examines all the Italian Gothic films of the 1980s. It includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, actors and scriptwriters. The entries include a complete cast and crew list, plot summary, production history and analysis. Two appendices list direct-to-video releases and made-for-TV films.
The Italian American Reader
“An extraordinary collection. . . . Essential and fascinating . . . not just for Italian-Americans but for everyone who cares about good writing” (Martin Scorsese). This anthology—the first general-reader collection of writing by Italian American authors—is part manifesto, part Sunday dinner. A gathering of voices old and new, some speak in the accents of another age, some completely contemporary and assured, and all together for the first time. To stand with all the other popular media images we represent, now, at last, one exists in written form, the literature of Italian American life. Inside, there are excerpts from novels, memoirs, short stories, essays, and poems—by the living and the dead, the famous and the obscure. The excerpts are variously moving, funny, poignant, lusty, biting, reverent, witty, loving, angry, and wise, dealing in the most profound aspects of our lives no matter who we are: home, love, sex, family, food, work, God, death. Characters range from gangsters to grandmas, lovers to fighters, thinkers to doers, sinners to saints, with special appearances by Frank Sinatra and the Virgin Mary.
The Horror Show Guide
This cinefile’s guidebook covers the horror genre monstrously well! Find reviews of over 1,000 of the best, weirdest, wickedest, wackiest, and most entertaining scary movies from every age of horror! Atomic bombs, mad serial killers, zealous zombies, maniacal monsters lurking around every corner, and the unleashing of technology, rapidly changing and dominating our lives. Slasher and splatter films. Italian giallo and Japanese city-stomping monster flicks. Psychological horrors, spoofs, and nature running amuck. You will find these terrors and many more in The Horror Show Guide: The Ultimate Frightfest of Movies. No gravestone is left unturned to bring you entertaining critiques, fascinati...
Horror and Science Fiction Films III
The third volume in the author's Horror and Science Fiction Films series covers new titles released from 1981 to 1983, and updates entries in the original list.
"I Heard You Paint Houses"
"I Heard You Paint Houses" will soon be a major motion picture directed by Martin Scorsese. The working title for the movie is "The Irishman". The first words Jimmy Hoffa ever spoke to Frank "the Irishman" Sheeran were, "I heard you paint houses." To paint a house is to kill a man. The paint is the blood that splatters on the walls and floors. In the course of nearly five years of recorded interviews Frank Sheeran confessed to Charles Brandt that he handled more than twenty-five hits for the mob, and for his friend Hoffa. Sheeran learned to kill in the U.S. Army, where he saw an astonishing 411 days of active combat duty in Italy during World War II. After returning home he became a hustler ...
Fantastic Cinema Subject Guide
About 2,500 genre films are entered under more than 100 subject headings, ranging from abominable snowmen through dreamkillers, rats, and time travel, to zombies, with a brief essay on each topic: development, highlights, and trends. Each film entry shows year of release, distribution company, country of origin, director, producer, screenwriter, cinematographer, cast credits, plot synopsis and critical commentary.
