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Robert Foster
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ROBERT FOSTER.
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Solar Energy
Drawing on the authors' extensive research and project implementation around the globe, Solar Energy: Renewable Energy and the Environment covers solar energy resources, thermal and photovoltaic systems, and the economics involved in using solar energy. It provides background theory on solar energy as well as useful technical information for implem
Grant & I: Inside and Outside the Go-Betweens
“In early ’77 I asked Grant if he’d form a band with me. ‘No,’ was his blunt reply.” Grant McLennan didn’t want to be in a band. He couldn’t play an instrument; Charlie Chaplin was his hero du jour. However, when Robert Forster began weaving shades Hemingway, Genet, Chandler and Joyce into his lyrics, Grant was swayed and the 80s indie sensation, The Go-Betweens, was born. These friends would collaborate for three decades, until Grant’s tragic, premature death in 2006. Beautifully written – like lyrics, like prose – Grant & I is a rock memoir akin to no other. Part ‘making of’, part music industry exposé, part buddy-book, this is a delicate and perceptive celebration of creative endeavour. With wit and candour Robert Forster pays tribute to a band who found huge success in the margins, who boldly pursued a creative vision, and whose beating heart was the band’s friendship.
Sword and Scalpel
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The Biography of a Building
How Robert Sainsbury and Norman Foster built a great museum. Witold Rybczynski is an architectural writer with a superlative style, a uniquely humanistic approach to his subject, and an enormous reputation. The Sainsbury Centre for Visual Arts at the University of East Anglia was Norman Foster’s first major commission and the project that set him on the road to fame and fortune. It remains highly regarded in the architectural world. This is a remarkable book about a remarkable building. We learn how a major museum is conceived and developed, the role of the sponsor, the nature of collecting, and the experiences of the people who occupy the space. Rybczynski succeeds in telling the whole story of the Sainsbury Centre and the multiple impulses and inspirations that brought it into being.
The Moral Economy of Mobile Phones
The moral economy of mobile phones implies a field of shifting relations among consumers, companies and state actors, all of whom have their own ideas about what is good, fair and just. These ideas inform the ways in which, for example, consumers acquire and use mobile phones; companies promote and sell voice, SMS and data subscriptions; and state actors regulate both everyday use of mobile phones and market activity around mobile phones. Ambivalence and disagreement about who owes what to whom is thus an integral feature of the moral economy of mobile phones. This volume identifies and evaluates the stakes at play in the moral economy of mobile phones. The six main chapters consider ethnographic cases from Papua New Guinea, Fiji and Vanuatu. The volume also includes a brief introduction with background information on the recent ‘digital revolution’ in these countries and two closing commentaries that reflect on the significance of the chapters for our understanding of global capitalism and the contemporary Pacific.
Blue Is Just a Word
Inspired by a motherless child, Blue Is Just A Word blends music, the moral lessons of the Civil War, meditation, and deaths of a young wife and brother, to lay bare how anyone can become enslaved by anything; be it religious, political, social, or otherwise. As vice president of Lynn Massachusetts' General Lander Civil War Roundtable, a lifetime member of The Lincoln Forum of Gettysburg, The Lincoln Group of Boston and past session musician for a major record label in London, England, Robert Foster exposes the eternal aristocratic sense of entitlement to enslave the weak to reveal our racial woes come from conflicts deep within all of us.
Dear Yeats, Dear Pound, Dear Ford
Jeanne Foster challenged the accepted role for women at the turn of the twentieth century. Born on a hardscrabble farm in the Adirondack Mountains in 1879, she was hailed as an important voice in American poetry by 1916 when her first books of verse, Neighbors of Yesterday and Wild Apples were published. She had early success as a model—she was the Harrison Fisher girl of 1903—and later became a journalist for the American Review of Reviews. In 1918, she met John Quinn, patron of the arts, which placed her in the middle of some of the most important literary and artistic movements in the twentieth century. She counted among her friends John Butler and William Butler Yeats, Ezra Pound, James Joyce, Ford Madox Ford, Pablo Picasso, and Constantin Brancusi. This book reveals her dark affair with Aleister Crowley and her great friendship with Tomas Masaryk of Czechoslovakia. Today, Jeanne Foster lies buried in Chestertown, New York, next to her old friend John Butler Yeats.
Coca-Globalization
This book explores globalization through a historical and anthropological study of how familiar soft drinks such as Coke and Pepsi became valued as more than mere commodities. Foster discusses the transnational operations of soft drink companies and, in particular, the marketing of soft drinks in Papua New Guinea, a country only recently opened up to the flow of brand name consumer goods. Based on field observations and interviews, as well as archival and library research, this book is of interest to anyone concerned about the cultural consequences and political prospects of globalization, including new forms of consumer citizenship and corporate social responsibility.
