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The Hollywood Propaganda of World War II
During the Second World War, over 300 Hollywood motion pictures were produced that, in one way or another, bore the propaganda imprimatur. These popular movies -- and they consistently glorified the achievements of the American fighting man while vilifying all the members of the Axis pact -- and fostered morale on the Home Front and stood as tangible reminders that Old Glory, mom, apple pie, and the St. Louis Browns would emerge victorious from this global conflict. But how successful was Hollywood's effort? Citing numerous examples of flag-waving dialogue, Professor Fyne has produced an in-depth study that examines these WWII movies, analyzing many motifs, stereotypes, fiction-as-fact, dist...
Long Ago and Far Away
The Second World War was the greatest social, political, and economic upheaval of the 20th century. As a popular Hollywood subject, WWII still enthralls viewers six decades after Allied commanders affixed their signatures on the victory document in Tokyo Bay. Recreating flag-waving charges, frontal beachhead assaults, commando raids, and even home front heroics, these motion pictures_for better or worse_provide the primary learning experience for postwar generations. After scrutinizing hundreds of screenplays, Robert Fyne has written an in-depth study of World War II films, analyzing the different storylines, points-of-view, and contemporary events found in each. In Long Ago and Far Away: Ho...
We'll Always Have the Movies
An “essential” study of what Americans watched during wartime, and how films shaped their understanding of events (Publishers Weekly). During the highly charged years of World War II, movies perhaps best communicated to Americans who they were and why they were fighting. These films were more than just an explanation of historical events: they asked audiences to consider the Nazi threat; they put a face on both our enemies and allies, and they explored changing wartime gender roles. We’ll Always Have the Movies shows how film after film repeated the narratives, character types, and rhetoric that made the war and each American’s role in it comprehensible. Robert L. McLaughlin and Sall...
Hollywood's High Noon
A lively narrative history of Hollywood's classical age. Over the last twenty-five years, the field of cinema studies has offered a dramatic reassessment of the history of film in general and of Hollywood in particular. Writers have drawn on the methodologies of a number of disciplines—literary criticism, sociology, psychology, women's studies, and minority and gay studies—to deepen our understanding of motion pictures, the film industry, and movie theater audiences. In Hollywood's High Noon, noted film historian Thomas Cripps offers a lively narrative history of Hollywood's classical age that brings the insights of recent scholarship to students and general readers. From its origin duri...
The Greatest Generation Comes Home
At the conclusion of World War II, Americans anxiously contemplated the return to peace. It was an uncertain time, filled with concerns about demobilization, inflation, strikes, and the return of a second Great Depression. Balanced against these challenges was the hope in a future of unparalleled opportunities for a generation raised in hard times and war. One of the remarkable untold stories of postwar America is the successful assimilation of sixteen million veterans back into civilian society after 1945. The G.I. generation returned home filled with the same sense of fear and hope as most citizens at the time. Their transition from conflict to normalcy is one of the greatest chapters in A...
Surface and Destroy
World War II submariners rarely experienced anything as exhilarating or horrifying as the surface gun attack. Between the ocean floor and the rolling whitecaps above, submarines patrolled a dark abyss in a fusion of silence, shadows, and steel, firing around eleven thousand torpedoes, sinking Japanese men-of-war and more than one thousand merchant ships. But the anonymity and simplicity of the stealthy torpedo attack hid the savagery of warfare—a stark difference from the brutality of the surface gun maneuver. As the submarine shot through the surface of the water, confined sailors scrambled through the hatches armed with large-caliber guns and met the enemy face-to-face. Surface and Destr...
Over the Rainbow
Over the Rainbow shows how Dorothy's passage from Kansas to Oz and back again recapitulates paradigmatic stories of both America and Christianity. Defining human identity on three symbolic levels (individual, collective, and cosmic), Nathanson shows that The Wizard of Oz has come to be a "secular myth."
"Daddy's Gone to War"
Looking out a second-story window of her family's quarters at the Pearl Harbor naval base on December 7, 1941, eleven-year-old Jackie Smith could see not only the Rising Sun insignias on the wings of attacking Japanese bombers, but the faces of the pilots inside. Most American children on the home front during the Second World War saw the enemy only in newsreels and the pages of Life Magazine, but from Pearl Harbor on, "the war"--with its blackouts, air raids, and government rationing--became a dramatic presence in all of their lives. Thirty million Americans relocated, 3,700,000 homemakers entered the labor force, sparking a national debate over working mothers and latchkey children, and mi...
Why We Fought
Looks at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath. This volume contrasts recognized history and historical fiction with the versions appearing on the big screen. It reveals how film depictions of the country's wars have shaped our values, politics, and culture.
