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Antagonistic Cooperation
Winner, 2023 Columbia University Press Distinguished Book Award Finalist, 2023 Pauli Murray Book Prize in Black Intellectual History, African American Intellectual History Society Shortlisted, Historical Nonfiction Legacy Award, Hurston / Wright Foundation Ralph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and pain...
Lady Day
A biography of the "First Lady" of modern jazz, based on newly released archival information, stresses her contributions to jazz singing instead of dwelling on her personal difficulties
Antagonistic Cooperation
This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
The Jazz Cadence of American Culture
Taking to heart Ralph Ellison's remark that much in American life is "jazz-shaped," The Jazz Cadence of American Culture offers a wide range of eloquent statements about the influence of this art form. Robert G. O'Meally has gathered a comprehensive collection of important essays, speeches, and interviews on the impact of jazz on other arts, on politics, and on the rhythm of everyday life. Focusing mainly on American artistic expression from 1920 to 1970, O'Meally confronts a long era of political and artistic turbulence and change in which American art forms influenced one another in unexpected ways. Organized thematically, these provocative pieces include an essay considering poet and nove...
Romare Bearden
Foreword by Bridget Moore. Text by Robert G. O'Meally.
New Essays on Invisible Man
A collection of essays on Ralph Ellison's novel, Invisible Man.
Uptown Conversation
Jackson Pollock dancing to the music as he painted; Romare Bearden's stage and costume designs for Alvin Ailey and Dianne McIntyre; Stanley Crouch stirring his high-powered essays in a room where a drumkit stands at the center: from the perspective of the new jazz studies, jazz is not only a music to define—it is a culture. Considering musicians and filmmakers, painters and poets, the intellectual improvisations in Uptown Conversation reevaluate, reimagine, and riff on the music that has for more than a century initiated a call and response across art forms, geographies, and cultures. Building on Robert G. O'Meally's acclaimed Jazz Cadence of American Culture, these original essays offer n...
Lady Day
"Billie Holiday deserves a biography in which her musicianship isn't overshadowed by the tragic events of her life. O'Meally has written that book," says Entertainment Weekly about this absorbing and authoritative account of the greatest jazz singer in history. O'Meally emphasizes Holiday's artistry and training rather than her personal miseries, and he uses voluminous archival material to correct common myths about Holiday. Chronicling her rigorous musical apprenticeship in Baltimore, her reception in New York by Benny Goodman and Duke Ellington, and her work with various musicians, particularly Lester Young, Lady Day is an impassioned testament to Holiday's genius that confirms her place in American jazz.
Living with Music
O'Meally has collected the very best of Ellison's writings on this subject - each selection vibrant, insightful, and bursting with Ellison's love of the music - in this unique and original anthology."--BOOK JACKET.
