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The Cinema of Robert Gardner
The most artistic of ethnographic filmmakers, and the most ethnographic of artistic filmmakers, Robert Gardner is one of the most original, as well as controversial, filmmakers of the last half century. This is the first volume of essays dedicated to his work - a corpus of aesthetically arresting films which includes the classic Dead Birds (1963), a lyric depiction of ritual warfare among the Dugum Dani, in the Highlands of New Guinea; Rivers of Sand (1974), a provocative portrayal of relations between the sexes among the Hamar, in southwestern Ethiopia; and Forest of Bliss (1986), a sublime city symphony about death and life in Benares, India. Eminent anthropologists, philosophers, film theorists, and fellow artists assess the innovations of Gardner's films as well as the controversies they have spawned. Contributors:Ilisa BarbashMarcus BanksStanley CavellRoderick CooverElizabeth EdwardsAnna GrimshawKarl G. HeiderPaul HenleySusan HoweDavid MacDougallDusan MakavejevÁkos ÖstörWilliam RothmanSean ScullyLucien TaylorCharles Warren
Looking with Robert Gardner
During his lifetime, Robert Gardner (1925–2014) was often pigeonholed as an ethnographic filmmaker, then criticized for failing to conform to the genre's conventions—conventions he radically challenged. With the release of his groundbreaking film Dead Birds in 1963, Gardner established himself as one of the world's most extraordinary independent filmmakers, working in a unique border area between ethnography, the essay film, and poetic/experimental cinema. Richly illustrated, Looking with Robert Gardner assesses the range and magnitude of Gardner's achievements not only as a filmmaker but also as a still photographer, writer, educator, and champion of independent cinema. The contributors...
Making Dead Birds
Gardner's Dead Birds is one of the most highly acclaimed and controversial documentary films ever made. This account of the process of making the movie is also a thoughtful examination of what it meant to record the rituals of warrior-farmers in New Guinea and to present to the world a graphic story of their behavior as a window onto our own.
Robert Gardner
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Looking with Robert Gardner
Assesses the range and magnitude of Robert Gardners achievements as a filmmaker, photographer, writer, educator, and champion of independent cinema. During his lifetime, Robert Gardner (19252014) was often pigeonholed as an ethnographic filmmaker, then criticized for failing to conform to the genres conventionsconventions he radically challenged. With the release of his groundbreaking film Dead Birds in 1963, Gardner established himself as one of the worlds most extraordinary independent filmmakers, working in a unique border area between ethnography, the essay film, and poetic/experimental cinema. Richly illustrated, Looking with Robert Gardner assesses the range and magnitude of ...
Contemporary Language Motivation Theory
This book brings together contributions from the leaders of the language learning motivation field. The varied chapters demonstrate how Gardner’s work remains integral to a diverse range of contemporary theoretical issues underlying the psychology of language, even today, 60 years after the publication of Gardner and Lambert’s seminal 1959 paper. The chapters cover a wide selection of topics related to applied linguistics, second language acquisition, social psychology, sociology, methodology and historical issues. The book advances thinking on cutting-edge topics in these diverse areas, providing a wealth of information for both students and established scholars that show the continuing and future importance of Gardner and Lambert’s ideas.
Making Forest of Bliss
Poet Seamus Heaney wrote of the "deep and literate gaze" Robert Gardner transmits "with an intensity that passes from the documentary into the visionary" in his film Forest of Bliss. A decade and a half after its making, it is recognized as a contemporary classic of nonfiction cinema. Making Forest of Bliss, the first in Harvard Film Archive's series "Voices and Visions in Film," presents a dialogue between Gardner and his colleague anthropologist Akos Ã-stör, illustrated with more than 150 images captured from the film. Recalling the conditions of its filming in Benares, India, in 1985, and presenting their moment-by-moment impressions upon watching it several years later, Gardner and Ã-stör probe questions of what it means to capture life and death on film and ponder how the filmmaker's intentions, choices necessitated by circumstance, and the serendipity of chance contribute to this endeavor. The resulting conversation is a lively exploration of issues philosophical, anthropological, andâe"above allâe"artistic. The volume contains an introduction by philosopher Stanley Cavell and includes a newly mastered DVD of the complete film.
The Cauldron of War, 1914-1918
THE CAULDRON OF WAR, 1914-1918 Robert Gardner (1899-1972) was a member of a generation of highly-educated Englishmen who went to war in 1914: a war in which they suffered a horrifying loss of life. Robert Gardner was one of the survivors. Before the war, after taking First-Class Honours in both parts of the Classics Tripos at Emmanuel College, Cambridge, he was awarded the much prized Craven Studentship that took him to Italy for two years to carry out research into aspects of Roman military history. Towards the end of his time in Italy, the outbreak of the First World War brought him immediately back to England. He was a Lancashire man and he was commissioned in the senior infantry regiment...
Robert Gardner: "Rivers of sand"
Studienarbeit aus dem Jahr 2006 im Fachbereich Soziologie - Medien, Kunst, Musik, Note: 1,0, Otto-von-Guericke-Universität Magdeburg, Veranstaltung: Fremdheit im ethnographischen Film, Sprache: Deutsch, Abstract: Robert Gardner, der 1925 in Massachusetts geboren wurde, interessierte sich bereits in frühester Kindheit für damalige Filme, wie etwa die von Charlie Chaplin. Zunächst fasziniert von der 16mm-Kamera seines Vaters, bekam er irgendwann eine eigene Kamera, und es begann für ihn die Überlegung, was es denn mit dieser einzufangen galt. Da Gardner sich selbst ein Verständnis von Film und Filmemachen aneignen musste - es gab kaum derartige Ausbildungsmöglichkeiten - verschlang er ...
Melting, Freezing, and Boiling Science Projects with Matter
Presents nine experiments that help demonstrate the properties of matter, focusing on how solids, liquids, and gases differ and how they change with temperature.
