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Looking with Robert Gardner
Assesses the range and magnitude of Robert Gardner’s achievements as a filmmaker, photographer, writer, educator, and champion of independent cinema. During his lifetime, Robert Gardner (1925–2014) was often pigeonholed as an ethnographic filmmaker, then criticized for failing to conform to the genre’s conventions—conventions he radically challenged. With the release of his groundbreaking film Dead Birds in 1963, Gardner established himself as one of the world’s most extraordinary independent filmmakers, working in a unique border area between ethnography, the essay film, and poetic/experimental cinema. Richly illustrated, Looking with Robert Gardner assesses the range and magnitud...
The Cinema of Robert Gardner
The most artistic of ethnographic filmmakers, and the most ethnographic of artistic filmmakers, Robert Gardner is one of the most original, as well as controversial, filmmakers of the last half century. This is the first volume of essays dedicated to his work - a corpus of aesthetically arresting films which includes the classic Dead Birds (1963), a lyric depiction of ritual warfare among the Dugum Dani, in the Highlands of New Guinea; Rivers of Sand (1974), a provocative portrayal of relations between the sexes among the Hamar, in southwestern Ethiopia; and Forest of Bliss (1986), a sublime city symphony about death and life in Benares, India. Eminent anthropologists, philosophers, film theorists, and fellow artists assess the innovations of Gardner's films as well as the controversies they have spawned. Contributors:Ilisa BarbashMarcus BanksStanley CavellRoderick CooverElizabeth EdwardsAnna GrimshawKarl G. HeiderPaul HenleySusan HoweDavid MacDougallDusan MakavejevÁkos ÖstörWilliam RothmanSean ScullyLucien TaylorCharles Warren
The Cauldron of War, 1914-1918
THE CAULDRON OF WAR, 1914-1918 Robert Gardner (1899-1972) was a member of a generation of highly-educated Englishmen who went to war in 1914: a war in which they suffered a horrifying loss of life. Robert Gardner was one of the survivors. Before the war, after taking First-Class Honours in both parts of the Classics Tripos at Emmanuel College, Cambridge, he was awarded the much prized Craven Studentship that took him to Italy for two years to carry out research into aspects of Roman military history. Towards the end of his time in Italy, the outbreak of the First World War brought him immediately back to England. He was a Lancashire man and he was commissioned in the senior infantry regiment...
Robert Gardner
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Robert Gardner: "Rivers of sand"
Studienarbeit aus dem Jahr 2006 im Fachbereich Soziologie - Medien, Kunst, Musik, Note: 1,0, Otto-von-Guericke-Universität Magdeburg, Veranstaltung: Fremdheit im ethnographischen Film, Sprache: Deutsch, Abstract: Robert Gardner, der 1925 in Massachusetts geboren wurde, interessierte sich bereits in frühester Kindheit für damalige Filme, wie etwa die von Charlie Chaplin. Zunächst fasziniert von der 16mm-Kamera seines Vaters, bekam er irgendwann eine eigene Kamera, und es begann für ihn die Überlegung, was es denn mit dieser einzufangen galt. Da Gardner sich selbst ein Verständnis von Film und Filmemachen aneignen musste - es gab kaum derartige Ausbildungsmöglichkeiten - verschlang er ...
Kensington to St Valery en Caux
This is a story of summer 1940, of a little known territorial battalion and an almost forgotten British military disaster. In April 1940 the Princess Louise's Kensington Regiment left England to join the British Expeditionary Force in France. It was attached to the 51st (Highland) Division which was moving to the Saar region to defend the Maginot Line. From May until mid-June the Kensingtons were in continuous action, first on the Saar, then on the Somme, and finally in a fighting withdrawal along the channel coast in an attempt to reach Le Havre. Outnumbered four to one the division was cornered at the little seaside town of St Valery en Caux and forced to surrender on 13 June. Three companies of the Kensingtons launched a daring escape through Le Havre to return to England and take part in the invasion defences on the Kent coast.
Human Evolution
Traces past and present theories of human origins and development.
Just Representations, First Edition
This book presents selected writings by acclaimed filmmaker Robert Gardner. There are journals written during filmmaking expeditions, observing and reacting to diverse ways of life. There are accounts of film projects envisioned and planned but not completed. There are essays on ways of life in premodern cultures that Gardner has observed firsthand. Also included are his voiceover narrations from the films "Dead Birds" "Rivers of Sand," which come to life in a new way on the page. In an interview, letters, and articles, Gardner addresses the subject of filmmaking and reflects on film's relation to anthropology and, more broadly, to the human project to understand reality. "A book of marvelous adventures with a camera and a series of meditations on diverse ways of life and making art by a wise and compassionate man." -Charles Simic
Making Dead Birds
Gardner's Dead Birds is one of the most highly acclaimed and controversial documentary films ever made. This account of the process of making the movie is also a thoughtful examination of what it meant to record the rituals of warrior-farmers in New Guinea and to present to the world a graphic story of their behavior as a window onto our own.
