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This volume gathers together, for the first time, Mary Sidney Herbert’s Antonius (1592) and Thomas Kyd’s Cornelia (1594), two significant and inter-related responses to Robert Garnier’s Roman plays, Marc Antoine (1578) and Cornélie (1574). As a unique diptych the translated plays offer invaluable insight into the often ghostly presence of French literature in Elizabethan culture. They also mark an important chapter in the development of early modern neoclassical drama, with Sidney Herbert and Kyd creatively engaging, each in their own way, with Garnier’s learned, Senecan tragedies. This edition offers a critical introduction situating the plays in the rapidly shifting context of the...
In this 1969 text Mrs Jondorf studies Robert Garnier as a sixteenth-century writer, attuned to the thought and art of his own time.
Garnier is by common consent the greatest tragedian of the French Renaissance. The core of this book consists of detailed critical commentaries on each of his seven tragedies. The stress is placed on the individual qualities of each separate tragedy, although some attention is given to the need to synthesize as well as to Garnier's characteristic qualities. The introduction deals with possible approaches to sixteenth-century tragedy in general while a preliminary chapter traces the historical development of tragedy before Garnier; there are sections on imitation, originality, sources, rhetoric and performance. The author concludes that Garnier does not conform to norms as much as has been claimed and that it is misleading to divide his development so neatly into three phases.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1984.
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