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Robert Indiana
The author argues that Indiana's strident visual language emerges from his tendency to recast his life in story and verse, a fact that unlocks complex and secret tissues of figurative meaning within the deceptively simple canvases. By illuminating the enigmas in Indiana's word and image combinations, she helps to explain the longevity of LOVE and its influence on a later generation of artists."--BOOK JACKET.
Robert Indiana
Robert Indiana, famous as a pioneering Pop artist in the 1960s, and renowned for making his "LOVE" sculptures, paintings and posters so famous that the United States Postal Service put it on a stamp, is this year experiencing a monumental comeback in New York City with a new installation of colorful numbers along Park Avenue titled "One Through Zero" and simultaneous shows at C&M Arts and Paul Kasmin Gallery. This volume looks at Indiana's hugely influential early Pop Art work, but focuses on his more recent and extensive work with numbers. Each of his numbers represents a phase in life and each has its own color scheme; for example, "1" is red and green and symbolizes birth, and "6" is green and red and symbolizes the peak of life.
The Essential Robert Indiana
"Decoding Robert Indiana's work for a new generation, this revelatory book explores previously unknown autobiographical elements in the work of the Pop artist and printmaker. Famously proclaiming himself to be "an American painter of signs," Robert Indiana has created an enormous body of work, much of it boldly colored abstractions. In this incisive new examination of the artist, based on ongoing conversations with Indiana, art historian Martin Krause sifts through autobiographical clues within the artist's work and finds a wealth of affecting and affectionate references to Indiana's childhood, literary heroes, and the cultural icons of his generation. In addition, a penetrating essay by Pop...
Robert Indiana
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Robert Indiana
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Robert Indiana
Robert Indiana, célèbre initiateur du pop'art dans les années soixante, créateur du fameux LOVE décliné en peintures, sculptures et estampes, que l'on a même vu sur les timbres-poste américains, pose une empreinte monumentale sur la ville de New York au printemps 2003, en installant une suite de chiffres multicolores, De un à zéro, le long de Park Avenue. Ces chiffres symbolisent les étapes de sa vie depuis la naissance, évoquée par le Un rouge et bleu, et nous invitent à retracer un parcours artistique jalonné d'images emblématiques.
Robert Indiana
Text by Adrian Dannatt.
The Last Days of Robert Indiana
When reclusive, millionaire artist Robert Indiana died in 2018, he left behind dark rumors and scandal, as well as an estate embroiled in lawsuits and facing accusations of fraud. Here is the true story of the artist's final days, the aftermath, the deceptive world that surrounded him, and the inner workings of art as very big business. "I'm an artist, not a business man," Robert Indiana said, refusing to copyright his iconic LOVE sculpture in 1965. An odd and tortured soul, an artist who wanted both fame and solitude, Indiana surrounded himself with people to manage his life and work. Yet, he frequently changed his mind and often fired or belittled those who worked with him. By 2008, when I...
Robert Indiana
Catalogue of an exhibition held at Waddington Custot Galleries, Oct. 3 - Nov. 10, 2012.
Love and the American Dream
Robert Indiana's works all speak to the vital forces that have shaped American culture in the last half of the 20th century. The American Dream is the cornerstone of Indiana's mature work. It was the theme of his first major painting, sold to the Museum of Modern Art in 1961, as well as an ongoing series. Indiana also created one of the most widely recognized works of art in the world, Love. Much of Indiana's important contribution to American art has been overshadowed by the proliferation, pirating, and mass production of works bearing the image of Love. Daniel E. O'Leary discusses the artist's development through an examniation of his journal/sketchbooks from 1958-1963; Susan Elizabeth Ryan investigates Indiana's painting Love, its origins and impact on the artist's career; and Aprile Gallant contributes an essay on Indiana's preoccupation with the idea of the American Dream.
