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A compelling illustration of Japan's evolution into an industrial state, the only major industrial society to emerge outside of the Western tradition.
THE FOURTEENTH BOOK IN THE BELOVED NO. 1 LADIES' DETECTIVE AGENCY SERIES The one with the one hundred per cent new addition . . . There are joyful tidings at the No. 1 Ladies' Detective Agency with the arrival of Mma Makutsi's baby. However, while her assistant is busy with motherhood, Mma Ramotswe must tackle tea-making and detective work alone. Well-known troublemaker Violet Sephotho may or may not be behind a smear campaign against the Minor Adjustment Beauty Salon, and a dispute over the will of a local dignitary points to a shocking family secret. But the agency is resilient, adaptable and open to useful lessons - in particular, that our enemies and allies are not always obvious.
Millions of American Christians see U.S. support for the State of Israel as a God-ordained responsibility. Robert O. Smith provides an in-depth look at the English Protestant tradition of Judeo-centric prophecy interpretation at the heart of this popular affinity.
Japanese women are frequently perceived by foreigners as stereotypes. Pictured as compliant, long-suffering, and charming in a childlike way, they are said to be child-centered and restricted in their interests and actions to the domestic realm. The appear as victim, pawn, or tragic heroine: Madame Chrysanthemum, Madame Butterfly, and even the impossible Mariko of Shogun. The Women of Suye Mura provides a rich body of information by means of which such stereotypes may be reevaluated and challenged. Based on Ella Wiswell's extensive field notes from the mid-1930s—when she and her late husband John Embree undertook a joint research project in rural Japan—this volume forms a companion to Em...
After debuting in 1978 with a brash single pulled from the pages of Camus, the Cure, led by Robert Smith, recorded a series of brooding albums, drawing the world's attention to goth rock. But they resisted categorization, and subsequent albums attracted new fans worldwide. Then, with the grand and somber Disintegration, they achieved global domination. This essential keepsake tells the story of the Cure--from the angular riffs of "Boys Don't Cry" and "A Forest," through the perfect simplicity of "Lovesong" and "Friday I'm in Love," to headlining some of the world's biggest music festivals--in beautiful, eye-catching color.