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Rewriting Resemblance in Medieval French Romance
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
The Very Devout Meditations attributed to Bernard of Clairvaux
There were two Bernards of Clairvaux. The first was the genuine Bernard who lived from 1090 to 1153, and wrote letters, sermons, and treatises that are of major consequence in the history of the twelfth century. The second is a host of writers, most of whom have not been identified, who wrote treatises attributed to the genuine Bernard, but that were not from his pen. This volume, the first complete translation in more than three hundred years, presents one of the most important texts in the history of medieval Latin spirituality. Written between 1170 and 1190 by an unidentified Cistercian monk-priest, Meditationes piisimae, “Very Devout Meditations,” became one of the most popular and widely distributed pieces of spiritual literature in the whole of the Middle Ages. The work survives in at least 670 manuscripts, with the complete English translation of the treatise published in 1701.
Mervelous Signals
The investigation of language, of how (and what and why) signifiers signify, is prominent in modern critical work, but the questions being asked are by no means new. In Mervelous Signals, Eugene Vance asserts that "there is scarcely a term, practice, or concept in contemporary theory that does not have some rich antecedent in medieval thought." He goes on to illustrate the complexity and depth of medieval speculations about language and literature. Vance's study of the link between the poetics and semiotics of the Middle Ages takes both a critical and a historical view as he brings today's insights to bear on the contemporary perspectives of such works as St. Augustine's Confessions, the Chanson de Roland, Chrätien's Yvain, Aucassin and Nicolette, Spenser's The Faerie Queen, and certain aspects of the works of Dante and Chaucer and of French medieval theater.
A Gothic Sermon
In this groundbreaking work, Stephen Murray seizes a rare opportunity to explore the relationship between verbal and visual culture by presenting a sermon that may have been preached during the second half of the thirteenth century in or near the cathedral of Notre-Dame of Amiens, whose sculptural program was completed at about the same time. In addition to providing a complete transcription and translation of the text, Murray examines the historical context of the sermon and draws comparisons between its underlying structure and the Gothic portals of the cathedral. In the sermon, as in the cathedral, he finds a powerful motivational mechanism that invites the repentant sinner to enter into ...
Chaucer's Dante
Richard Neuse here explores the relationship between two great medieval epics, Dante's Divine Comedy and Chaucer's Canterbury Tales. He argues that Dante's attraction for Chaucer lay not so much in the spiritual dimension of the Divine Comedy as in the human. Borrowing Bertolt Brecht's phrase "epic theater," Neuse underscores the interest of both poets in presenting, as on a stage, flesh and blood characters in which readers would recognize the authors as well as themselves. As spiritual autobiography, both poems challenge the traditional medieval mode of allegory, with its tendency to separate body and soul, matter and spirit. Thus Neuse demonstrates that Chaucer and Dante embody a humanism not generally attributed to the fourteenth century. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.
St. John the Divine
Throughout the Middle Ages, John the Evangelist, identified as the author of both the Book of Revelation and the most profound and theologically informed of the four Gospels, provided monks and nuns with a figure of inspiration and an exemplar of vision and virginity. Rather than the historical apostle, this book's protagonist is a persona of the Evangelist established in theology, the liturgy, and devotional practice: the model mystic, who, by virtue of his penetrating insight, was seen as having become a mirror image of Christ. In St. John the Divine, Jeffrey Hamburger identifies a remarkable set of images from the ninth to the fifteenth centuries that identify the inspired Evangelist so c...
When Ego Was Imago
Twelfth-century individuals negotiated personal relationships along a continuum connecting rather than polarizing immediacy and mediated representation. Their markers of individuation, signs of identity and media of communication thus evidence practical engagement with contemporary medieval sign theory and perceptions of reality. In this study, the relevance of modern theory for the interpretation of medieval artifacts is shown to depend upon the parallel existence of theoretical activity by the producers and users of such artifacts. In the cultural landscape of the central Middle Ages, the axes of iconicity, semantics and materiality traced by charters, seals, and by both concrete and metaphorical images of the imprint, dynamically shaped the boundaries within which a sense of self was formulated, modulated, experienced, and enacted.
A History of Women Philosophers
aspirations, the rise of western monasticism was the most note worthy event of the early centuries. The importance of monasteries cannot be overstressed as sources of spirituality, learning and auto nomy in the intensely masculinized, militarized feudal period. Drawing their members from the highest levels of society, women's monasteries provided an outlet for the energy and ambition of strong-willed women, as well as positions of considerable authority. Even from periods relatively inhospitable to learning of all kinds, the memory has been preserved of a good number of women of education. Their often considerable achievements and influence, however, generally lie outside even an expanded de...
Platonism and Poetry in the Twelfth Century
Chartres as an intellectual and cultural force in the Renaissance of the twelfth century has engaged the attention of critics and scholars from R. L. Poole through Gilson, Curtius, and Huizinga to, most recently, Peter Dronke. Its importance as a poetic tradition is now reviewed by Winthrop Wetherbee, first as it developed at Chartres, then as it influenced later poetry, French as well as Latin. Mr. Wetherbee analyzes, and supports with his own translations, the poetry notably of Bernardus Silvestrus and Alain dc Lille: he defines the intellectual milieu of the Chartrian poets and their Platonic conception of nature, man, and poetry. Myth, philosophy, and the literary statement that gives th...
Nobility and Annihilation in Marguerite Porete's Mirror of Simple Souls
This first book-length study of Marguerite Porete's important mystical text, The Mirror of Simple Souls, examines Porete's esoteric and optimistic doctrine of annihilation—the complete transformative union of the soul into God—in its philosophical and historical contexts. Porete was burned at the stake as a relapsed heretic in 1310. Her theological treatise survived the flames, but it circulated anonymously or under male pseudonyms until 1946, and her message endures as testament to a distinctive form of medieval spirituality. Robinson begins by focusing on traditional speculations regarding the origin, nature, limitations, and destiny of humankind. She then examines Porete's work in its more immediate historical and literary contexts, focusing on the ways in which Porete conceptualizes and expresses her radical doctrine of annihilation through contemporary metaphors of lineage and nobility.
