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Play, as an event of the inventive human spirit, invites our most able Christian reflection. The person at play is expressing his or her God-given nature. Unable to understand our play as God-given, Christians are often inauthentic players. Johnston tries to help us to see that Christians are created to work and to play.
The connection between theology and film is a hot topic in the academy and the church. But research and writing on methodology and hermeneutics is lacking. This comprehensive collection identifies the overlooked or undervalued areas in the current discussions of film and theology. Including contributions from the leaders in the field, Reframing Theology and Film helps deepen the conversation while bringing it to a new level of prominence. Professors and students of theology and film, libraries, pastors, and film buffs will benefit from this much-needed resource.
What are we to make of those occasional yet illuminating experiences of God's presence that occur outside both church and Scripture? We may encounter God's revelatory presence as we experience a beautiful sunset, the birth of a child, or a work of art, music, or literature. While theologians have tended to describe such experiences abstractly as mere traces or echoes, those involved often recognize such moments of transcendence as transformative. Here senior theologian Robert Johnston explores how Christians should think theologically about God's wider revelatory presence that is mediated outside the church through creation, conscience, and culture. The book offers a robust, constructive biblical theology of general revelation, rooting its insights in the broader Trinitarian work of the Spirit. Drawing in part from the author's theological engagement with film and the arts, the book helps Christians understand personal moments of experiencing God's transcendence and accounts for revelatory experiences of those outside the believing community. It also shows how God's revelatory presence can impact our interaction with nonbelievers and those of other faiths.
A comprehensive study of theology and film that explores how the Christian faith is portrayed in film throughout history.
Reveals how both contemporary movies and the Book of Ecclesiastes portray life's beauty despite its pain and futility.
Experience God in the movies! A valuable resource guide examining over thirty films and their theological impact. Excellent for film buffs and church leaders alike.
Three media experts guide the Christian moviegoer into a theological conversation with movies in this up-to-date, readable introduction to Christian theology and film. Building on the success of Robert Johnston's Reel Spirituality, the leading textbook in the field for the past 17 years, Deep Focus helps film lovers not only watch movies critically and theologically but also see beneath the surface of their moving images. The book discusses a wide variety of classic and contemporary films and is illustrated with film stills from favorite movies.
Those labeled as "evangelicals" commonly are assumed to constitute a large and fairly homogeneous segment of American Protestantism. This volume suggests that, in fact, evangelicalism is better understood as a set of distinct subtraditions, each with its own history, organizations, and priorities. The differences among groups are so important that the question arises: Is the term "evangelical" useful at all?
Paul's letters stand at the center of the dispute over women, the church, and the home, with each side championing passages from the Apostle. Now, in a challenging new attempt to wrestle with these thorny texts, Craig Keener delves as deeply into the world of Paul and the apostles as anyone thus far. Acknowledging that we must take the biblical text seriously, and recognizing that Paul's letters arose in a specific time and place for a specific purpose, Keener mines the historical, lexical, cultural, and exegetical details behind Paul's words about women in the home and ministry to give us one of the most insightful expositions of the key Pauline passages in years.