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The World Of A Writer Who Told It The Way It Really Was A woman whose sexual candor shocks her Midwestern town...an adolescent farm boy learning a shattering lesson in love...a restless girl playing with passion in Paris...a tormented human triangle in a Texas border town ... a trio of American girls following their very different paths to womanhood.. .an expatriate in the South of France caught on a merry-go-round of dreamlike pleasure and nightmare pain... All are part of an unforgettable human panorama that stretches from California to Europe, and ranges from the most elemental levels of existence to the jaded heights of sophistication. Here is the greatest work of fiction by a writer who was a prized member of the circle that included Hemingway and Joyce--a writer who now at last can be seen as the amazingly prophetic genius he was.
The Nightinghouls of Paris is a thinly fictionalized memoir of the darker side of expatriate life in Paris. Beginning in 1928, the story follows the changes undergone by Canadian youths John Glassco and his friend Graeme Taylor during their (mis)adventures in Paris while trying to become writers. There they meet Robert McAlmon, who guides them through the city’s cafes, bistros, and nightclubs, where they find writers and artists including Kay Boyle (with whom Glassco has a fling), Bill Bird, Djuna Barnes, Claude McKay, Hilaire Hiler, Peggy Guggenheim, and Ernest Hemingway. Fleeing France in late 1940, Robert McAlmon lost his notebook manuscripts and drafted The Nightinghouls of Paris from memory. Till now, it has existed solely as a typescript held by Yale University. Unlike most memoirs of American expatriates in the ‘20s, The Nightinghouls of Paris centers not only on writers, but also encompasses the racial, national, and social mélange they encountered in everyday life.
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"His prose is of first distinction," declared critic Edmund Wilson of Hemingway upon the 1923 publication of Three Stories and Ten Poems, the author's first foray into the literary world. These short stories ("Up in Michigan," "Out of Season," and "My Old Man") and their accompanying poems captured the attention of other influential critics as well, anticipating the future Nobel Laureate's emergence as a prominent voice of the Modernist movement. Succinct and lucid in his prose style, American novelist and short story writer Ernest Hemingway (1899–1961) exercised an enormous influence over English-language authors of the twentieth century. A member of the expatriate Lost Generation circle, Hemingway cultivated a larger-than-life image of vigorous masculinity complemented by an intense sensitivity. He drew upon his adventures as a big-game hunter, bullfighter, and fisherman for his fiction as well as his service as a World War I ambulance driver and a reporter during the Spanish Civil War and World War II.
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Memoirs of Montparnasse is a delicious book about being young, restless, reckless, and without cares. It is also the best and liveliest of the many chronicles of 1920s Paris and the exploits of the lost generation. In 1928, nineteen-year-old John Glassco escaped Montreal and his overbearing father for the wilder shores of Montparnasse. He remained there until his money ran out and his health collapsed, and he enjoyed every minute of his stay. Remarkable for their candor and humor, Glassco’s memoirs have the daft logic of a wild but utterly absorbing adventure, a tale of desire set free that is only faintly shadowed by sadness at the inevitable passage of time.