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Cover title: New and selected poems, 1954-1960.
In this provocative and thoughtful anthology, many voices join in illuminating the remarkably vast and varied American West. The verse collected here ranges from American Indian tribal poems to old folk songs like “The Streets of Laredo,” from country-western lyrics to the work of such foreign poets as Bertolt Brecht and Zbigniew Herbert. Here is the West in all its rich variety–the harsh life of farms and ranches; man’s destructive invasion into forest and desert solitudes; the bars and bistros of San Francisco and Hollywood; Pacific surf and endless highways; the ghost towns, the poverty, and the legendary world of cowpunchers and gunslingers. From Robert Frost’s “Once by the Pacific” to Charles Bukowski’s “Vegas,” from Fred Koller’s “Lone Star State of Mind” to Thom Gunn’s “San Francisco Streets”–the West is evoked in all its incarnations, both actual and mythic.
This book explores the increasing use of Constituency Development Funds (CDFs) in emerging democratic governments in Africa, Asia, the Caribbean, and Oceania. CDFs dedicate public money to benefit parliamentary constituencies through allocations and/or spending decisions influenced by Members of Parliament (MPs). The contributors employ the term CDF as a generic term although such funds have a different names, such as electoral development funds (Papua New Guinea), constituency development catalyst funds (Tanzania), or Member of Parliament Local Area Development Fund (India), etc. In some ways, the funds resemble the ad hoc pork barrel policy-making employed in the U.S. Congress for the past...
Editors Donald Justice and Robert Mezey bring back into print two nearly lost collections of Coulette's (1927-1988) poetry and introduce the last writings of this diamond-hard and brilliant formalist. Paper edition (unseen), $14.95. Annotation copyrighted by Book News, Inc., Portland, OR
PULITZER PRIZE FINALIST • In this magisterial study of the relationship between illness and art, the best-selling author of An Unquiet Mind, Kay Redfield Jamison, brings an entirely fresh understanding to the work and life of Robert Lowell (1917-1977), whose intense, complex, and personal verse left a lasting mark on the English language and changed the public discourse about private matters. In his poetry, Lowell put his manic-depressive illness (now known as bipolar disorder) into the public domain, and in the process created a new and arresting language for madness. Here Dr. Kay Redfield Jamison brings her expertise in mood disorders to bear on Lowell’s story, illuminating not only the relationships between mania, depression, and creativity but also how Lowell’s illness and treatment influenced his work (and often became its subject). A bold, sympathetic account of a poet who was—both despite and because of mental illness—a passionate, original observer of the human condition.
Set against the charms and vicissitudes of growing up in a family of musicians, Jodie Hollander's beautifully-structured and compelling debut follows the story of a daughter's maturing relationship with her mother. Interspersed with versions of Rimbaud, and always alert to the surreal comedy of the human condition, these powerful and immediate poems chart with huge passion, musicality and insight a complex journey towards familial understanding and reconciliation.
This important collection of poems, which spans a career of nearly fifty years, demonstrates Robert Mezey's development as a notable stylist, thinker, and poet. Moving from adaptations of Latin and Spanish poems to prayers and lamentations, from elegies and plaints of lost love to flights of comic and ribald fancy, his poetry reaches to the extremes of human experience. The death of friends and family, one's self-betrayals and self-infatuations, the comical confusion of a worried mother, the art of a doomed Jewish child in a Nazi concentration camp--all these human dramas play out bravely against the backdrop of the beautiful, indifferent path. Mezey can portray aging and death or sing of lo...
Life in a small town takes a dark turn when mysterious footage begins appearing on VHS cassettes at the local Video Hut Jeremy works at the Video Hut in Nevada, Iowa—a small town in the center of the state, the first “a” in Nevada pronounced “ay.” This is the late 1990s, and while the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It’s good enough for Jeremy: It’s a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck. But when a local schoolteacher comes in to return her copy...