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"Follows a homicide case committed in Georgia in 1927 from the crime to the executions of those convicted of the crime almost a year later. Along the way, the narrative highlights a number of issues impacting the death penalty process, many of which are still relevant in the modern era of capital punishment in the United States ... Moreover, the case in question illustrates a range of themes prevalent in post-Progressive Georgia and brings them together to create a broader narrative. Thus, issues of race, class, and gender emerge from what was supposed to be a neutral process; ... demonstrates that capital punishment cannot be administered in an untainted fashion, but its finality demands that it must be"--From Athenaeum@UGA website.
This book was first published in 1986.
Why have so many central and inner cities in Europe, North America and Australia been so radically revamped in the last three decades, converting urban decay into new chic? Will the process continue in the twenty-first century or has it ended? What does this mean for the people who live there? Can they do anything about it? This book challenges conventional wisdom, which holds gentrification to be the simple outcome of new middle-class tastes and a demand for urban living. It reveals gentrification as part of a much larger shift in the political economy and culture of the late twentieth century. Documenting in gritty detail the conflicts that gentrification brings to the new urban 'frontiers', the author explores the interconnections of urban policy, patterns of investment, eviction, and homelessness. The failure of liberal urban policy and the end of the 1980s financial boom have made the end-of-the-century city a darker and more dangerous place. Public policy and the private market are conspiring against minorities, working people, the poor, and the homeless as never before. In the emerging revanchist city, gentrification has become part of this policy of revenge.
"For many, the appearance of Occupy Wall Street seemed so sudden and so surprising it seemed to have come out of nowhere. But Occupy Wall Street was in some sense not unusual: it was part and parcel of a long history of riot, revolt, uprising, and sometimes even revolution that has shaped the city and the larger histories and geographies of which it is part. The history of New York is, in significant part, a history of revolt. Many citizens, activists, and scholars know pieces of that history, but nowhere has it been put together in something close to its entirety. The effect is that each revolt or uprising seems almost sui generis, always surprising, disconnected from both its long- and nea...
Ex U.S. Senator Gibson Altman rules the prison colony where everyone is expected to live by rules that govern every aspect of their lives. ** The inhabitants of the experimental colony survive in a society plagued by crime, corruption and despair, toiling endlessly at tasks they are appointed to. Altman lives a life of luxury, ruling the lives of the souls trapped within his experiment and brooking no opposition to mandate. ** However, Pallas, the terraformed asteroid is also home to Curringer, a society in stark contrast to Altman's prison. It is a community where individual freedoms are championed and men and women are free to live as they please. ** Emerson Ngu escapes from Altman's prison colony and becomes a hero of Curringer. Altman is driven by a deep hatred of Emerson and his triumph and will do anything to get his revenge on him. But in the process will he also destroy and his own daughter and even the world of Pallas
Originally published in 1970, The Urban Revolution marked Henri Lefebvre’s first sustained critique of urban society, a work in which he pioneered the use of semiotic, structuralist, and poststructuralist methodologies in analyzing the development of the urban environment. Although it is widely considered a foundational book in contemporary thinking about the city, The Urban Revolution has never been translated into English—until now. This first English edition, deftly translated by Robert Bononno, makes available to a broad audience Lefebvre’s sophisticated insights into the urban dimensions of modern life.Lefebvre begins with the premise that the total urbanization of society is an i...
A bold rethinking of urban political ecology
The Authority looks favourably upon meticulousness, efficiency and ambition. Bjorn has all of this in spades, but it's only in the Room that he can really shine. Unfortunately, his colleagues see things differently. In fact, they don't even see the Room at all. The Room is a short, sharp and fiendish fable in the tradition of Franz Kafka, Samuel Beckett and Charlie Kauffman. If you have ever toiled in an office, felt like the world was against you or questioned the nature of reality then this is the novel for you.
Every day, seemingly intelligent and successful companies make headline news for poor decisions that can cause their business to stumble and make many of us scratch our heads in wonder. Why would such a successful business make "that" strategic decision? Neil Smith, with more than 20 years of experience leading large-scale performance improvements, reveals the hidden barriers that limit excellent companies from reaching their potential, and cause even the smartest managers and leaders to falter. During his experience transforming some of the top global businesses, Smith has identified 8 barriers that exist in every organization and prevent them from implementing literally thousands of ideas ...
The first book-length study in English of composer Mathias Spahlinger, one of Germany's leading practitioners of contemporary music. One of the most stimulating and provocative figures of the new music scene, Mathias Spahlinger has long been a touchstone for leftist, "critical" composition in Germany, yet his work has received very little attention in Anglophone scholarship until now. Spahlinger's practice offers a unique negotiation of the modernist legacy as well as passionate political and philosophical engagement. Born in 1944, today his position as one of the most venerable exponents of post-WWII modernism in his homeland is undeniable: his music is regularly performed, he has received commissions from many of the major orchestras and new music groups in Germany, and in 2014 he received the Berliner Kunstpreis, Berlin's top art prize. Bringing a critical perspective to Spahlinger's life and work, this monograph provides an essential reference for scholars of new music and twentieth-century modernism.