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"The name of Robert Nichols has its place in the memorial in Westminster Abbey to the poets of the First World War, and his first collections, Invocations (1915) and Ardours and Endurances (1917), speaking directly to the mood of a nation in the throes of war, achieved real popular success. He went on to produce three more volumes of poetry, four plays that reached the London stage and two novels. He numbered among his friends many of the best known authors, composers and actors of his day, and was himself a perceptive and articulate observer of the contemporary scene. As a result this first full study of his life and writings, drawing on a mass of unpublished letters, has much to divert and...
Drawing on Indigenous peoples' struggles against settler colonialism, Theft Is Property! reconstructs the concept of dispossession as a means of explaining how shifting configurations of law, property, race, and rights have functioned as modes of governance, both historically and in the present. Through close analysis of arguments by Indigenous scholars and activists from the nineteenth century to the present, Robert Nichols argues that dispossession has come to name a unique recursive process whereby systematic theft is the mechanism by which property relations are generated. In so doing, Nichols also brings long-standing debates in anarchist, Black radical, feminist, Marxist, and postcolonial thought into direct conversation with the frequently overlooked intellectual contributions of Indigenous peoples.
Reproduction of the original: Ardours and Endurances by Robert Malise Bowyer Nichols
An up close and personal portrait of a legendary filmmaker, theater director, and comedian, drawing on candid conversations with his closest friends in show business and the arts—from Dustin Hoffman and Meryl Streep to Natalie Portman and Lorne Michaels. The work of Mike Nichols pervades American cultural consciousness—from The Graduate and Who's Afraid of Virginia Woolf? to Angels in America, The Birdcage, Working Girl, and Primary Colors, not to mention his string of hit plays, including Barefoot in the Park and The Odd Couple. If that weren’t enough, he was also one half of the timelessly funny duo Nichols & May, as well as a founding member of the original improv troupe. Over a car...
2011 Retailers Choice Award winner! Rebecca never felt safe as a child. In 1969, her father, Robert Nichols, moved to Sellerstown, North Carolina, to serve as a pastor. There he found a small community eager to welcome him—with one exception. Glaring at him from pew number seven was a man obsessed with controlling the church. Determined to get rid of anyone who stood in his way, he unleashed a plan of terror that was more devastating and violent than the Nichols family could have ever imagined. Refusing to be driven away by acts of intimidation, Rebecca’s father stood his ground until one night when an armed man walked into the family’s kitchen . . . And Rebecca’s life was shattered. If anyone had a reason to harbor hatred and seek personal revenge, it would be Rebecca. Yet The Devil in Pew Number Seven tells a different story. It is the amazing true saga of relentless persecution, one family’s faith and courage in the face of it, and a daughter whose parents taught her the power of forgiveness.
Two married writers express their shared activism in a surprising range of styles and voices.
In this remarkable tetralogy of short novels, Nichols envisions the nature of our communal, yet highly individualized society in which decentralized democracy, ecological sensibility, bioregional principles, and liberatory technologies are integrated into a traditional culture. It is a vision of utopia emerging out of the rich particularity of history and lived experience. First published in five separate volumes in the late 1970s, Daily Lives in Nghsi-Altai has never gained the recognition it deserves. It is an extraordinary contribution to both literary and theoretical utopianism and should be recognized both for its radical ideology and for the fecundity of the imagination that informs it...
After attending Wake Forest University on an athletic scholarship, J. Donald Nichols played professional baseball with the Baltimore Orioles. From there he went into the real estate development business. He has built more than 175 shopping centers throughout the country, and his company, JDN Realty, is listed on the New York Stock Exchange. Nichols first began collecting American Impressionist paintings in the 1970s, buying one painting as his personal reward for each shopping center he built. After ten years, he began looking for a new area in which to collect. The J. Donald Nichols Collection is now recognized as perhaps the finest collection of American abstract art of the 1930s and 1940s ever assembled.
Throughout these stories, Robert Nichols' moral outrage is the more eloquent for being muted. His characters continually confront the intrusion of the grotesque and absurd into everyday life with an understated puzzlement reminiscent of Kafka's Joseph K. Depicting a world in which the comfortable and well-off are denied the luxury of isolation from those who suffer, these stories are---like Mr. Goss's unusually sensitive electric meter---a place 'where the invisible and hidden is measured.' Readers of Robert Nichols' short stories will find his United States of America to be a place that is at once familiar and yet strangely different.
Kyle Thimall made a deal with the devil. Seven days to save seven people, each from one of the seven sins. With a mysterious watch and nothing to lose, Kyle soon finds himself on the run from the Irish mob, gun happy car thieves, and a dirty cop with an infamous violent streak on his way to becoming Kyle's worst nightmare. And that's only the first day.