You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A new revision of the classic anthology presents 195 poets and 1,596 poems representing the range of English language modern and contemporary poetry.
No, that diminutive but independent vocable, begins its great role early in human life and never loses it. For not only can it head a negative sentence, announcing its judgement, or answer a question, implying its negated content, it can, and mostly does, in the beginning of speech, express an assertion of the resistant will--sometimes just that and nothing more. The adult antiphony to the toddler's incessant no is another no, that of preventive command, and the great commandments of later life continue to be prohibitions: Nine of the Ten Commandments are in the negative. Eva Brann explores nothingness in the third book of her trilogy, which has treated imagination, time and now naysaying. If we want to understand something of imagination, memory and time, she argues, we must mount an inquiry into what it means to say something is not what it claims to be or is not there or is nonexistent or is affected by Nonbeing.
Paul Matta tells the story of the imagination in 3 parts. He begins by introducing the reader to God's imagination. He then discuss the artistic achievements and failures of Adam and Eve in the Garden of Eden. And finally Matta talks about Jesus' imagination. How much do you know about your artistic connection to Adam and Eve? The Garden of Eden was fertile ground for pure imagination. God encouraged Adam to be creative. Adam learned to be expressive in the garden too. Together Adam and Eve held a creative weapon that they neglected to use on the serpent. That weapon was the imagination. Learn more in this book.
An introverted woman is overwhelmed by all the people living inside her when she comes to see psychotherapist, Dr. Freyn, for help. As she slips into a chair in her therapists office week after week, she does not know who she is anymore. When her weekly sessions hit an impasse, Dr. Freyn encourages her to release her internal companions so they may tell their own stories. As Dr. Freyn shows her pictures--a different one each week--and asks her to tell a story based on the pictures, the patient leads the therapist through a maze of interconnected relationships, madness, suicide, growth, and synthesis as she achieves a deeper connection with herself. As her characters spin a web of narratives that span the latter half of the twentieth century, the boundaries between fantasy and reality, truth and lies, and sanity and madness become blurred as the past and future attempt to reinvent each other. Telling Stories is the tale of one womans confrontation with her fragmented self and her journey to self-understanding through the stories of the internal characters who haunt her.
A scholar of Southern literature and culture, Jan Whitt has written a personal narrative about adoption, childhood abuse, and fifty years of searching for her family in rural Appalachia. A testament to the power of love and the resilience of the human spirit, Rain on a Strange Roof unflinchingly explores death and loss at the same time that it celebrates the transformative power of love and literature. An award-winning professor, Whitt teaches courses in American and British literature, literary journalism, media, and women’s studies. Quoting from films, novels, and short stories about the American South, Whitt weaves a narrative about the necessity for human connection and the desire for home.
This collection of essays offers twelve innovative approaches to contemporary literary criticism. The contributors, women scholars who range from undergraduate students to contingent faculty to endowed chairs, stage a critical dialogue that raises vital questions about the aims and forms of criticism— its discourses and politics, as well as the personal, institutional, and economic conditions of its production. Offering compelling feminist and queer readings of avant-garde twentieth- and twenty-first-century texts, the essays included here are playful, performative, and theoretically savvy. Written for students, scholars, and professors in literature and creative writing, Reading and Writing Experimental Texts provides examples for doing literary scholarship in innovative ways. These provocative readings invite conversation and community, reminding us that if the stakes of critical innovation are high, so are the pleasures.
Love it or hate it, the five-paragraph essay is perhaps the most frequently taught form of writing in classrooms of yesterday and today. But have you ever actually seen five-paragraph essays outside of school walls? Have you ever found it in business writing, journalism, nonfiction, or any other genres that exist in the real world? Kimberly Hill Campbell and Kristi Latimer reviewed the research on the effectiveness of the form as a teaching tool and discovered that the research does not support the five-paragraph formula. In fact, research shows that the formula restricts creativity, emphasizes structure rather than content, does not improve standardized test scores, inadequately prepares st...
Creative strategies for getting young students excited about writing Don't Forget to Write for the Elementary Grades offers 50 creative writing lesson plans from the imaginative and highly acclaimed 826 National writing labs. Created as a resource to reach all students (even those most resistant to creative writing), the lessons range from goofy fun (like "The Other Toy Story: Make Your Toys Come to Life") to practical, from sports to science, music to mysteries. These lessons are written by experts, and favorite novelists, actors, and other celebrities pitched in too. Lessons are linked to the Common Core State Standards. A treasure trove of proven, field-tested lessons to teach writing skills Inventive and unique lessons will appeal to even the most difficult-to-reach students 826 National has locations in eight cities: San Francisco, New York, Los Angeles, Ann Arbor, Chicago, Seattle, Boston, and Washington DC 826 National is a nonprofit organization, founded by Dave Eggers, and committed to supporting teachers, publishing student work, and offering services for English language learners.
What Persists contains eighteen of the nearly fifty essays on poetry that Judith Kitchen published in The Georgia Review over a twenty-five-year span. Coming at the genre from every possible angle, this celebrated critic discusses work by older and younger poets, most American but some foreign, and many of whom were not yet part of the contemporary canon. Her essays reveal a cultural history from the dismantling of the Berlin Wall, through 9/11 and the Iraq War, and move into today's political climate. They chronicle personal interests while they also make note of what was happening in contemporary poetry by revealing overall changes of taste, both in content and in the use of craft. Over time, they fashion a comprehensive overview of the contemporary literary scene. At its best, What Persists shows what a wide range of poetry is being written--by women, men, poets who celebrate their ethnicity, poets who show a fierce individualism, poets whose careers have soared, promising poets whose work has all but disappeared.
The early 1960s to the mid-1970s was one of the most turbulent periods in American history. The U.S. military was engaged in its longest, costliest overseas conflict, while the home front was torn apart by riots, protests, and social activism. In the midst of these upheavals, an underground and countercultural press emerged, giving activists an extraordinary forum for a range of imaginative expressions. Poetry held a prominent place in this alternative media. The poem was widely viewed by activists as an inherently anti-establishment form of free expression, and poets were often in the vanguards of political activism. Hearts and Minds is the first book-length study of the poems of the Black ...