Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Plausible Worlds
Examples through history used to examine the role of possible worlds in explanation and practical judgements.
The Poetics of Perspective
Perspective has been a divided subject, orphaned among various disciplines from philosophy to gardening. In the first book to bring together recent thinking on perspective from such fields as art history, literary theory, aesthetics, psychology, and the history of mathematics, James Elkins leads us to a new understanding of how we talk about pictures. Elkins provides an abundantly illustrated history of the theory and practice of perspective. Looking at key texts from the Renaissance to the present, he traces a fundamental historical change that took place in the way in which perspective was conceptualized; first a technique for constructing pictures, it slowly became a metaphor for subjecti...
The Voice That Thinks
Earlier versions of the first two chapters were published as PREPARATORY THINKING IN HEIDEGGER'S TEACHING. Chapter Three and its appendix comprise a whole, "The Telling Word," introducing my translation of the "Eisgeschichte" by Adalbert Stifter. An earlier version of Chapter Five appeared in PHILOSOPHY TODAY 25(2), Summer 1981, pp. 139-147, as "On the Fundamental Experience of Voice in Language," and in a French translation the following year as "L'Expérience Fondamentale de la Voix dans le Langage," in SPIRALES. JOURNAL INTERNATIONAL DE CULTURE, No. 16, June 1982, pp. 54-56. Chapters 4 and 6 were published for the first time in the first edition of THE VOICE THAT THINKS. Versions of the Heidegger Bibliography appeared in PREPARATORY THINKING IN HEIDEGGER'S TEACHING and in TRANSLATING HEIDEGGER, but it has been thoroughly revised and supplemented for this volume.
Painting in Stone
A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
The Faustian Bargain
Nazi art looting has been the subject of enormous international attention in recent years, and the topic of two history bestsellers, Hector Feliciano's The Lost Museum and Lynn Nicholas's The Rape of Europa. But such books leave us wondering: What made thoughtful, educated, artistic men and women decide to put their talents in the service of a brutal and inhuman regime? This question is the starting point for The Faustian Bargain, Jonathan Petropoulos's study of the key figures in the art world of Nazi Germany. Petropoulos follows the careers of these prominent individuals who like Faust, that German archetype, chose to pursue artistic ends through collaboration with diabolical forces. Reade...
Visible Spirit
As early as the 1950s, Professor Irving Lavin was recognized as a major voice in American art history. His sustained production of seminal scholarly contributions have left their mark on an astonishingly wide range of -subjects and fields. Bringing these far-reaching publications together will not only provide a valuable resource to scholars and -students, but will also underscore fundamental themes in the history of art - historicism, the art of commemoration, the relationship between style and meaning, the -intelligence of artists - themes that define the role of the visual arts in human communication. Irving Lavin is best known for his array of fundamental publications on the Baroque arti...
The Woman at the Well
The theme of the book is that by integrating traditional historical methods of interpretation with more recent literary and sociological methods, it is possible to propose an alternative understanding of the character and role of the Samaritan woman in John 4. The contents include a survey of the interpretive tradition concerning the Samaritan woman in the church’s exegesis, in artistic renderings, and in literary compositions from the Patristic Period until the Modern Era. The book concludes with the author’s alternative interpretation, which proposes a pious Samaritan woman vs. the traditional immoral one. This book is useful as a model for a synthetic approach to biblical interpretation that utilizes both historical and more contemporary methods. Additionally, it demonstrates one possible avenue by which biblical and theological scholars can participate in interdisciplinary studies.
Making Renaissance Art
This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspective, the assimilation of the antique revival, and the illusion of life. Embracing the full significance of Renaissance art requires understanding how it was made. As manifestations of technical expertise and tradition as much as innovation, artworks of this period reveal highly complex creative processes--allowing us an inside view on the vexed issue of the notion of a renaissance.
