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Black Gay Man
In nine essays on Afrocentrism, anti-Semitism, and other aspects of identity and intellect, Reid-Pharr (English, Johns Hopkins U.) seeks to expose the "essentially impermeable and thus impure nature" of all American identities. "Moreover," he writes, "even as I demonstrate repeatedly the excessive lengths to which many have gone to reproduce the boundaries of various articulations of the self, I continue to emphasize my belief that the great joy of living in the modern world is the recognition that all processes of naming, all names (black, gay, man), are ultimately monuments to the impossibility of ever fully distinguishing self from other. ... We always find the universal." With a thoughtful foreword by science-fiction author Samuel R. Delany (Princeton U.). c. Book News Inc.
Once You Go Black
Once You Go Black is first and foremost a study of a group of black American intellectuals, primarily male, who came to prominence after World War II. At the same time, it is an endeavor to reconsider black Americans as agents, and not simply products, of history. Following the existentialist maxim that experience precedes essence, Robert Reid-Pharr contends that our current notions of black American identity are not inevitable, nor have they been forced on the black community. Instead, he argues, black American intellectuals have actively chosen the identity schemes that seem to us so natural or "God-given" today. In Once You Go Black, Reid-Pharr turns first to the late and relatively unkno...
The Garies and Their Friends
Originally published in London in 1857 and never before available in paperback, The Garies and Their Friends is the second novel published by an African American and the first to chronicle the experience of free blacks in the pre-Civil War northeast. The novel anticipates themes that were to become important in later African American fiction, including miscegenation and 'passing, ' and tells the story of the Garies and their friends, the Ellises, a 'highly respectable and industrious coloured family.'
Phallos
Phallos is a 2004 novel by the acclaimed novelist and critic Samuel R. Delany. Taking the form of a gay pornographic novella, with the explicit sex omitted, Phallos is set during the reign of the second-century Roman emperor Hadrian, and circles around the historical account of the murder of the emperor's favorite, Antinous. The story moves from Syracuse to Egypt, from the Pillars of Hercules to Rome, from Athens to Byzantium, and back. Young Neoptolomus searches after the stolen phallus of the nameless god of Hermopolis, crafted of gold and encrusted with jewels, within which are reputedly the ancient secrets of science and society that will lead to power, knowledge, and wealth. Vivid and clever, the original novella has been expanded by nearly a third. Appended to the text are an afterword by Robert F. Reid-Pharr and three astute speculative essays by Steven Shaviro, Kenneth R. James, and Darieck Scott.
Beneath the American Renaissance
The award-winning Beneath the American Renaissance is a classic work on American literature. It immeasurably broadens our knowledge of our most important literary period, as first identified by F.O. Matthiessen's American Renaissance. With its combination of sharp critical insight, engaging observation, and narrative drive, it represents the kind of masterful cultural history for which David Reynolds is known. Here the major works of Emerson, Thoreau, Whitman, Poe, Hawthorne, Melville, and Dickinson receive striking, original readings set against the rich backdrop of contemporary popular writing. Now back in print, the volume includes a new foreword by historian Sean Wilentz that reveals the book's impact and influence. A magisterial work of criticism and cultural history, Beneath the American Renaissance will fascinate anyone interested in the genesis of America's most significant literary epoch and the iconic figures who defined it.
The Cambridge Companion to the African American Slave Narrative
The slave narrative has become a crucial genre within African American literary studies and an invaluable record of the experience and history of slavery in the United States. This Companion examines the slave narrative's relation to British and American abolitionism, Anglo-American literary traditions such as autobiography and sentimental literature, and the larger African American literary tradition. Special attention is paid to leading exponents of the genre such as Olaudah Equiano, Frederick Douglass and Harriet Jacobs, as well as many other, less well known examples. Further essays explore the rediscovery of the slave narrative and its subsequent critical reception, as well as the uses to which the genre is put by modern authors such as Toni Morrison. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field.
Novel Gazing
DIVThis is the first collection of queer criticism on the history of the novel. Eve Sedgwick has brought together contributors to navigate this new terrritory through discussions of a wide range of British, French, and American novels--including canonical/div
Jonestown & Other Madness
Straightforward, no-nonsense poetry about being Black, female and gay.
Stars in My Pocket Like Grains of Sand
The only survivor plucked from a world where life has been burned out from horizon to horizon, Rat Korga is a very unusual human. On his own world he was subjected to Radical Anxiety Termination-a synapse-jamming technique banned on many planets. Now the officials of the Web must find a new world for him. Their first choice is the planet Velm: a world on which humans co-exist uneasily with the trisauian evelmi - and also the world of Marq Dyeth, for whom Korga is calculated to be the perfect erotic object, to about seven decimal places . . .
Feeling Backward
'Feeling Backward' weighs the cost of the contemporary move to the mainstream in lesbian and gay culture. It makes an effort to value aspects of historical gay experience that now threaten to disappear, branded as embarrassing evidence of the bad old days before Stonewall. Love argues that instead of moving on, we need to look backward.
