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Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
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The romantic notion of the Cockney, the shrewd and slangy common man coming from nowhere and surviving by his wits, is best exemplified by E.J. Milliken's character 'Arry and the verse letters or ballads he writes. The letters and stories, as well as the character of 'Arry, were Milliken's vehicles for social criticism, namely the intolerance shown by the aristocracy. Those letters, colorful additions to Victorian history and humor, tell the story of 'Arry, a commoner who is enamored of the social hierarchy, and who is keenly aware how close the top and bottom rungs are. Central to the themes is the Cockney whose pride is his dialect. Confidence in the face of the class system and withering social criticism make Milliken's 'Arry ballads memorable. This work analyzes the Cockney ballads and contains extensive annotations. Each chapter is dedicated to a facet of the everyday life of the common man in Victorian England, including entertainment, travel, and politics. Each is prefaced with a short analytical history of the period which also places the letters in context.
In The Late Victorian Folksong Revival: The Persistence of English Melody, 1878-1903, E. David Gregory provides a reliable and comprehensive history of the birth and early development of the first English folksong revival. Continuing where Victorian Songhunters, his first book, left off, Gregory systematically explores what the Late Victorian folksong collectors discovered in the field and what they published for posterity, identifying differences between the songs noted from oral tradition and those published in print. In doing so, he determines the extent to which the collectors distorted what they found when publishing the results of their research in an era when some folksong texts were ...