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The Mystery Fancier Volume 2 Number 4, July 1978, contains: "The Caper Novels of Tony Kenrick," by George Kelley, "Robert Rostand and Mike Locken," by Theodore P. Dukeshire, "Bowlers, Beer, Bravado, and Brains: Anthony Gilbert's Arthur Crook," by Jane S. Bakerman, "Raymond Chandler on Film, Addendum," by Charles Shibuk, "It's About Crime," by Marvin Lachman, "Thomas Chastain and the New Police Procedural," by Larry L. French, and "The Nero Wolfe Saga, Part VIII," by Guy M. Townsend.
A bibliography of various mystery novels published between November 1976 and Fall 1992.
EntrepreneurshipThe Entrepreneur Types of Entrepreneurs Innovation and Entrepreneur Women Entrepreneur Rural Enterpreneurship Tourism Enterpreneurship Micro and Small Entreprises Enterpreneurship and Environment Culture Career and Competence Franchising and Entrepreneurship Entreprenuerial Team Social Entrepreneurship Problems of Entrepreneurship Index
Borgo Cataloging Guides are written by catalogers for catalogers. These guides provide surveys of cataloging practice and science in the Library of Congress classification scheme. Each book surveys a specific subject area, with comprehensive coverage of the actual subject headings and classification numbers.
This work is a composite index of the complete runs of all mystery and detective fan magazines that have been published, through 1981. Added to it are indexes of many magazines of related nature. This includes magazines that are primarily oriented to boys' book collecting, the paperbacks, and the pulp magazine hero characters, since these all have a place in the mystery and detective genre.
One of the most controversial films of its time, The Wild Bunch is the epitome of the no-holds-barred filmmaking of the 1960s and 1970s. Since its 1969 release, it has come to be recognized not only as an iconic Western, but as one of the most important films in the American cinematic canon. Over the years a parade of filmmakers have tried to imitate its gut-punch effects but none have equaled it. The Wild Bunch revived the floundering career of volatile, self-destructive director Sam Peckinpah--it also hung on him the label "Bloody Sam." This book tells the complete story of the film's production, reception and legacy.
From High Noon to Unforgiven, the "A" Western represents the pinnacle of Western filmmaking. More intellectual, ambitious, and time-consuming than the readily produced "B" or serial Westerns, these films rely on hundreds of talented artists. This comprehensive reference work provides biographies and Western filmographies for nearly 1,000 men and women who have contributed to at least three "A" Westerns. These contributors are arranged by their role in film production. Cinematographers, composers, actors, actresses, and directors receive complete biographical treatment; writers whose work was used in at least two Westerns are also featured. An appendix lists well-known actors who have appeared in either one or two "A" Westerns, as specified.