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Told in the form of interviews with those who knew and hated him, this hilarious and irreverent mockumentary recounts the rise and fall of notorious Hollywood producer Shark Trager. As a young man, Shark had dreams of directing artistic movies, but when his film school project is savaged by a snobby French critic, Shark turns instead to producing exploitative trash, the more shocking and outrageous the better. Fueled by a nonstop supply of sex and drugs, Shark's life and work become increasingly bizarre and erratic. Yet we meet a different side of Shark too, as we learn how he saved a group of Sunday school teachers held hostage by terrorists, prevented a horrific attack on Nancy Reagan by a...
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A theoretical account of moral revolutions, illustrated by historical cases that include the criminalization and decriminalization of abortion and the patient rebellion against medical paternalism. We live in an age of moral revolutions in which the once morally outrageous has become morally acceptable, and the formerly acceptable is now regarded as reprehensible. Attitudes toward same-sex love, for example, and the proper role of women, have undergone paradigm shifts over the last several decades. In this book, Robert Baker argues that these inversions are the product of moral revolutions that follow a pattern similar to that of the scientific revolutions analyzed by Thomas Kuhn in his infl...
A new idea can become an expensive flop for TV executives. So from the earliest days of television, the concept of a pilot episode seemed like a good idea. Trying out new actors; new situations and new concepts before making a series was good economical sense. It was also tax deductible. Sometimes these pilots were shown on television; sometimes they were so awful they were hidden from sight in archives; and sometimes they were excellent one-offs, but a series seemed elusive and never materialised. Chris Perry has always been fascinated by the pilot episode. So many pilots are made annually, but never seen by audiences. Only a handful appear on screen. It's a hidden world of comedy, variety, drama and factual programming. This volume attempts to lift the lid on the world of the TV pilot by revealing the many transmitted and untransmitted episodes made through the decades.
Paul Newland's illuminating study explores the ways in which London's East End has been constituted in a wide variety of texts - films, novels, poetry, television shows, newspapers and journals. Newland argues that an idea or image of the East End, which developed during the late nineteenth century, continues to function in the twenty-first century as an imaginative space in which continuing anxieties continue to be worked through concerning material progress and modernity, rationality and irrationality, ethnicity and 'Otherness', class and its related systems of behaviour. The Cultural Construction of London's East End offers detailed examinations of the ways in which the East End has been constructed in a range of texts including BBC Television's EastEnders, Monica Ali's Brick Lane, Walter Besant's All Sorts and Conditions of Men, Thomas Burke's Limehouse Nights, Peter Ackroyd's Hawksmoor, films such as Piccadilly, Sparrows Can't Sing, The Long Good Friday, From Hell, The Elephant Man, and Spider, and in the work of Iain Sinclair.
Infocus Article - English Brave New World is the literary descendent of a tradition which has its roots in Darwinism. The notion of an evolutionary process allows Huxley to imagine a new world order based on scientific progression. This article investigates Huxley's perception of history, noting that while the inhabitiants of a Brave New World are 'taught no history', the World State they live in has a carefully defined schematic past. Social Satire and Historicism in the Novels of Aldous pp.135-145.