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Nature's Self
The drama of the unfolding of the spirit, Corrington argues, is one of the most powerful struggles within the human process. The spirit is in and of nature and can never lift the self outside of nature. For Corrington's ecstatic naturalism, there is no realm of the supernatural, only dimensions and orders within nature.
Ecstatic Naturalism
Semiotic theory, which has restricted its focus largely to human forms of significations, is transformed by Robert S. Corrington into a semiotics of nature itself. Corrington situates the divide between "nature naturing" and "nature natured" within the contest of classical American pragmaticism and postmodern psychoanalysis. At the heart of this new metaphysics is an insistence that all signs participate in larger orders of meaning that are natural and religious. Meanings embodied in nature point beyond nature to the mystery inherent in positioned codes and signs.
A Philosophy of Sacred Nature
A Philosophy of Sacred Nature introduces Robert Corrington’s philosophical thought, “ecstatic naturalism,” which seeks to recognize nature’s self-transforming potential. Ecstatic naturalism is a philosophical-theological perspective, deeply seated in a semiotic cosmology and psychosemiosis, and it radically and profoundly probes into the mystery of nature’s perennial self-fissuring of nature natured and nature naturing. Edited by Leon Niemoczynski and Nam T. Nguyen, this collection aims to allow readers to see what can be done with ecstatic naturalism, and what directions, interpretations, and creative uses that doing can take. A thorough exploration of the prospects of ecstatic naturalism, this book will appeal to scholars of Continental philosophy, religious naturalism, and American pragmatism.
Nature's Religion
Corrington argues that signs and our various transference fields can and do connect us with fully natural religious powers that are not of our own making, thereby opening up a path past the Western monotheisms to a capacious religion of nature. With a foreword by Robert C. Neville, Nature's Religion is essential reading for philosophers of religion, scholars of the psychology of religion, and theologians.
Nature and Spirit
"Phenomenological descriptions are made of the human process and its struggles between its finite and transcendent dimensions. The self is located within both natural and interpretive (i.e., hermeneutic) communities, and the semiotic implications of both types of community are detailed. The phenomenon of worldhood, i.e., that which is not a world or within the world but which locates and encompasses all worlds, is examined from the standpoint of a transformation of Heidegger's formulations. The pragmatic and semiotic dimensions of worldhood are defined in the context of an enlarged conception of nature. Finally, God's several dimensions are explored as they relate to each other and to the world within which they are often embedded. Process theology is challenged for its failure to explore what the author considers to be the fragmented yet self-transfiguring quality of the divine life."--BOOK JACKET.
A Semiotic Theory of Theology and Philosophy
The concern of this work is with developing an alternative to standard categories in theology and philosophy, especially in terms of how they deal with nature. Avoiding the polemics of much contemporary reflection on nature, it shows how we are connected to nature through the unconscious and its unique way of reading and processing signs. Spinoza's key distinction between natura naturans and natura naturata serves as the governing framework for the treatise. Suggestions are made for a post-Christian way of understanding religion. Robert S. Corrington's work represents the first sustained attempt to bring together the fields of semiotics, depth-psychology, pragmaticism, and a post-Monotheistic theology of nature. Its focus is on how signification functions in human and non-human orders of infinite nature. Our connection with the infinite is described in detail, especially as it relates to the use of sign systems.
Nature's Sublime
Nature's Sublime uses a radical new form of phenomenology to probe into the deepest traits of the human process in its individual, social, religious, and aesthetic dimensions. Starting with the selving process the essay describes the role of signs and symbols in intra and interpersonal communication. At the heart of the human use of signs is a creative tension between religions symbols and the novel symbols created in the various arts. A contrast is made between natural communities, which flatten out and reject novel forms of semiosis, and communities of interpretation, which welcomes creative and enriched signs and symbols. The normative claim is made that religious sign/symbol systems have a tendency toward tribalism and violence, while the various spheres of the aesthetic are comparatively non-tribal, or even deliberatively anti-tribal. The concept/experience of beauty and the sublime is meant to replace that of religious revelation. The sublime is not merely an internal mode of attunement, contra Kant, but comes from the very depths of nature in the potencies of nature naturing.
Nature and Spirit
"Phenomenological descriptions are made of the human process and its struggles between its finite and transcendent dimensions. The self is located within both natural and interpretive (i.e., hermeneutic) communities, and the semiotic implications of both types of community are detailed. The phenomenon of worldhood, i.e., that which is not a world or within the world but which locates and encompasses all worlds, is examined from the standpoint of a transformation of Heidegger's formulations. The pragmatic and semiotic dimensions of worldhood are defined in the context of an enlarged conception of nature. Finally, God's several dimensions are explored as they relate to each other and to the world within which they are often embedded. Process theology is challenged for its failure to explore what the author considers to be the fragmented yet self-transfiguring quality of the divine life."--BOOK JACKET.
Deep Pantheism
This book is a study in a new form of religious naturalism called “Deep Pantheism,” which has roots in American Transcendentalism, but also in phenomenology and Asian thought. It argues that the great divide within nature is that between nature naturing and nature natured, the former term defined as “Nature creating itself out of itself alone,” while the latter term defined as “The innumerable orders of the World.” Explorations are made of the connections among the unconscious of nature, the archetypes, and the various layers of the human psyche. The Selving process is analyzed using the work of C.G.Jung and Otto Rank. Evolution and involution are compared as they relate to the Encompassing, and the priority of art over most forms of religion is argued for.
Riding the Windhorse
That creativity and the quest for wholeness can support the erratic flight of the windhorse of manic-depression."--BOOK JACKET.
