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'Enraptured by the versioning bug, ' Sheppard confesses of his variations of Petrarch 'I was off on one.' With comic verve, he refunctions some fine sonneteers: Petrarch, and those of The English Strain Wyatt and Surrey.
Robert Sheppard has been at the forefront of innovative poetry in the UK since the 1980s. This wide-ranging volume celebrates his writings, offering extensive examinations of his work. Including contributions from major contemporaries and younger scholars, this book situates the remarkable writing life of one of Britain's most imaginative poets.
"Sheppard Lee, Written By Himself" is a satirical work from the early years of the American Republic. It was written in the form as an autobiography and acquired wide acclaim after publishing. The story tells about a young man wishing to find a buried treasure. Instead, he finds the power to transfer his soul into other men's bodies. This results in a picaresque journey through early American pursuits of happiness. But every new form disappoints him. Lee comes to the conclusion that everything in America, even virtue and vice, are interchangeable; everything is an object and has its price.
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A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This impo...
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The fascinating story of the eighteenth-century houses of Sion Row, Twickenham. In telling the story of these houses and their occupants, a remarkable social history is revealed.
It will scarcely be supposed that, with the passion of covetousness gnawing at my heart, I had space or convenience for any other feeling. But Abram Skinner had loved his children; and to this passion I was introduced, as well as to the other. At first I was surprised that I should bestow the least regard upon them, seeing that they were no children of mine. I endeavoured to shake off the feeling of attachment, as an absurdity, but could not; in spite of myself, I found my spirit yearning towards them; and by-and-by, having lost my identity entirely, I could scarcely, even when I made the effort, recall the consciousness that I was not their parent in reality. Indeed, the transformation that had now occurred to my spirit was more thorough than it had been in either previous instance; I could scarce convince myself I had not been born the being I represented; my past existence began to appear to my reflections only as some idle dream, that the fever of sickness had brought upon my mind; and I forgot that I was, or had been, Sheppard Lee.
Rooted in medieval Galician-Portuguese cantigas, most untranslated before now, Erin Mour 's poems take off from the title phrase, literally "the place where falling is made." Also a word for waterfall, O Cadoiro opens the "falling-place" that humans inhabit, where poems help heal without necessarily resolving anything. Where many poets tend to disdain the lyric form, Mour embraces it -- returning to its roots, reveling in its beauty, and exposing its surprising modernity.