Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
New Philosophies of Film
A concise but comprehensive student guide to studying Emily Bronte's classic novel Wuthering Heights. It covers adaptations such as film and TV versions of the novel and student-friendly features include discussion points and a comprehensive guide to further reading.
Cinematic Ethics
How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant? Cinematic Ethics: Exploring Ethical Experience through Film addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional understanding and philosophical thinking. In a clear and engaging style, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy using detailed case studies of cinematic ethics across different genres, styles, and filmic traditions. Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics.
Understanding Hegelianism
Explores the ways in which hegelian and anti-Hegelian currents of thought have shaped some of the most significant movements in 20th century European philosophy, particularly the traditions of critical theory, existentialism, Marxism and poststructuralism.
Terrence Malick
Many critics have approached Terrence Malick's work from a philosophical perspective, arguing that his films express philosophy through cinema. With their remarkable images of nature, poetic voiceovers, and meditative reflections, Malick's cinema certainly invites philosophical engagement. In Terrence Malick: Filmmaker and Philosopher, Robert Sinnerbrink takes a different approach, exploring Malick's work as a case of cinematic ethics: films that evoke varieties of ethical experience, encompassing existential, metaphysical, and religious perspectives. Malick's films are not reducible to a particular moral position or philosophical doctrine; rather, they solicit ethically significant forms of...
Filmosophy
'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film.
Emotions, Ethics, and Cinematic Experience
Since the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Yet far from being at odds with each other, both approaches offer important insights on our subjective experience of cinema. Emotions, Ethics, and Cinematic Experience explores how these two approaches might work together to create a philosophy of film that is both descriptively rich and theoretically productive by addressing the key relationship between cinematic experience, emotions, and ethics.
Contemporary Screen Ethics
Explores the intertwining of the ethical with the sociopolitical across a range of screen media in different contexts internationally.
Critique Today
What are the tasks and potentials of critical theory today? How should we critique the present? Critique Today brings together a variety of perspectives in critical social philosophy that question our social and historical constellation. It includes contributions by Genevieve Lloyd, Shane O’Neill, Paul Patton, Paul Redding, Emmanuel Renault, and Nicholas Smith, and examines critical intersections in the work of Jürgen Habermas, Axel Honneth, Pierre Bourdieu, Michel Foucault, and Giorgio Agamben. Critique Today aims to further the ongoing dialogue between German critical theory and French post-structuralism, explores the relationship between philosophy and social theory, and develops new approaches to Hegel and theories of recognition, the theme of social hope, and contemporary discussions of rights and power.
The Philosophical Hitchcock
"Hitchcock's characters...repeatedly face problems and dangers rooted in our general failure to understand others or even ourselves very well, or to make effective use of what little we do understand. Vertigo, with its impersonations, deceptions, and fantasies, embodies a general, common struggle for mutual understanding in the late modern social world of ever more complex dependencies. By treating this problem through a filmed fictional narrative, rather than discursively, [the author] argues, Hitchcock is able to help us see the systematic and deep mutual misunderstanding and self-deceit that we are subject to when we try to establish the knowledge necessary for love, trust, and commitment, and what it might be to live in such a state of unknowingness."--
