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Positive Stories For Negative Times, Volume Three
Six exciting new plays by some of the best artists working in the UK today written with and for young people. Created as part of Wonder Fools' international participatory project Positive Stories for Negative Times which has reached over 8000 young people from 16 different countries including UK, South Africa, India, USA, Canada, Italy and Sweden. Co-commissioned by Wonder Fools and the Traverse Theatre these six plays offer a variety of stories, styles and forms for ages 10 to 25. These original and innovative plays are: The Day the Stampers United by Sara Shaarawi Ages 12+ Ms Campbell's Class Fifth Period by Leyla Josephine Ages 14+ And The Name for That Is?... by Robert Softley Gale Ages ...
Don't. Make. Tea.
If you could press a button and one hundred thousand vulnerable citizens died instantly but the rest of the population of the planet was guaranteed prosperity, would you press that button? Chris never wanted to end up here. She's a proud woman and hates asking for help but when her condition deteriorated she had no choice but to claim disability benefits. Ralph believes in the new system. He knows it works. He knows it can work for Chris. He's here today, in her home, to assess her. To prove to her that there has been no mistake – she is fit and capable of working. Chris knows he is wrong. Knows her life will be over if his verdict stands. Can she persuade him to change his mind? And, if not, how far is she willing to go to save herself? Rob Drummond's Don't. Make. Tea. confronts the lengths disabled people must go to in order to preserve themselves in an unjust system. This edition was published to coincide with the Birds of Paradise Theatre Company UK tour, which opened in March 2024.
Wendy Hoose
Laura and Jake just want sex. Late Friday night drunken sex. Nothing more. No strings attached. But getting your leg over is sometimes more difficult than you think. Wendy Hoose is about two twenty year olds searching for love in all the wrong places.
Contemporary British Musicals: ‘Out of the Darkness’
The shortest runs can have the longest legacies: for too long, scholarship surrounding British musical theatre has coalesced around the biggest names, ignoring important works that have not had the critical engagement they deserve. Through academic interrogation and industry insight, this unique collection of essays recognizes these works, shining a light on their creative achievements and legacies. With each chapter focusing on a different significant musical, a selection of shows spanning 2010s are analysed and the development and evolution of the genre is explored. Touching on key, hit shows such as SIX, Matilda, Everybody's Talking About Jamie, The Grinning Man and Bend it Like Beckham, ...
Actors and Performers Yearbook 2024
This well-established and respected directory supports actors in their training and search for work in theatre, film, TV, radio and comedy. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the industry. Covering training and working in theatre, film, radio, TV and comedy, it contains invaluable resources such as a casting calendar and articles on a range of topics fr...
Don't Wake Me: The Ballad Of Nihal Armstrong
Don't Wake Me: The Ballad Of Nihal Armstrong is the unforgettable true story of a mother and her disabled son; a dramatic and poetic testimony of one woman's tireless battles in the struggle for her son's rights. Translating the raw experience of motherhood into a powerful verse monologue, Rahila Gupta reveals the challenges, impediments and frustrations of being repeatedly misunderstood – and of battles won against all the odds.
Positive Stories For Negative Times, Volume Three
Six exciting new plays by some of the best artists working in the UK today written with and for young people. Created as part of Wonder Fools' international participatory project Positive Stories for Negative Times which has reached over 8000 young people from 16 different countries including UK, South Africa, India, USA, Canada, Italy and Sweden. Co-commissioned by Wonder Fools and the Traverse Theatre these six plays offer a variety of stories, styles and forms for ages 10 to 25. These original and innovative plays are: The Day the Stampers United by Sara Shaarawi Ages 12+ Ms Campbell's Class Fifth Period by Leyla Josephine Ages 14+ And The Name for That Is?... by Robert Softley Gale Ages ...
Sean and Daro Flake It 'Til They Make It
Ah've got a brain for business me. Nothing says business like a pair of trackies.Looking for a way out of their humdrum lives in the outskirts of Glasgow, straight-laced Sean, fresh from dropping out of uni, and the gallus Daro, overflowing with charisma and business 'acumen', reckon they can be the dream team of frozen treats.Following in the footsteps of their business heroes Bannatyne and Branson, full of tall tales and cunning plans, and fuelled by Irn Bru and baccy, the two go from the heady heights of summer to the perilous cold of winter in their slightly clapped-out van of destiny. But surely it's always ice cream season? However, they quickly discover that conquering the ice cream b...
Samuel Beckett and Disability Performance
Beckett’s plays have attracted a striking range of disability performances – that is, performances that cast disabled actors, regardless of whether their roles are explicitly described as ‘disabled’ in the text. Grounded in the history of disability performance of Beckett’s work and a new theorising of Beckett’s treatment of the impaired body, Samuel Beckett and Disability Performance examines four contemporary disability performances of Beckett’s plays, staged in the UK and US, and brings the rich fields of Beckett studies and disability studies into mutually illuminating conversation. Pairing original interviews with the actors and directors involved in these productions alongside critical analysis underpinned by recent disability and performance theory, this book explores how these productions emphasise or rework previously undetected indicators of disability in Beckett’s work. More broadly, it reveals how Beckett’s theatre compulsively interrogates alternative embodiments, unexpected forms of agency, and the extraordinary social interdependency of the human body.
Leopards
"Sex, power and consent - can we ever atone for the sins of our past? When Niala arranges to meet a celebrated charity leader, Ben, in a hotel bar for career advice, their evening unfolds into something far less professional. As the weather closes in and secrets start to surface, the consequences of their choices leave them nowhere to hide. A gripping encounter that takes place over the course of one stormy night, Leopards is Alys Metcalf's first full-scale production, about the image we construct of ourselves and what it truly means to be good."--Back cover
