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Poet and Audience in the Argonautica of Apollonius
In this innovative study of the Argonautica, Robert Albis examines structural elements of the text that recreate phenomena associated with composers and performers of epic much earlier in the Greek tradition. Such phenomena include the effect of divine inspiration on the performer, and the empathy thus created among the audience, performer, and characters of the poetry. Albis focuses on the invocations of the Argonautica, arguing that these passages reveal the poet's attempts to associate himself and the audience with the activity within the poem. Albis' approach to the Argonautica is important because it makes use of theoretical approaches to poetry while still concentrating on the place of the poet and epic poetry in contemporary Greek culture, and on the tradition the poet had inherited. This fascinating study, which includes analyses of the Homeric influence on Apollonius and Apollonius' influence on Virgil, will be of interest to scholars of ancient epic, Greek poetry, and Hellenistic Greek culture.
Theatrical Space and Historical Place in Sophocles' Oedipus at Colonus
While Greek tragedies are often studied as works of literature, they are less frequently examined as products of the social and political environment in which they were created. Rarely, too, are the visual and spatial aspects of these plays given careful consideration. In this detailed and innovative book, Lowell Edmunds combines two readings of Oedipus at Colonus to arrive at a new way of looking at Greek tragedy. Edmunds sets forth a semiotic theory of theatrical space, and then applies this theory to the visual and spatial dimensions of Oedipus at Colonus. The book includes an Appendix on the life of Sophocles and the reception of Oedipus at Colonus. Edmunds's unique approach to Oedipus at Colonus makes this an important book for students and scholars of semiotics, Greek tragedy, and theatrical performance.
Homeric Stitchings
Homeric Stitchings is the first extended study of the Homeric Centos, a long pastiche poem on a biblical theme composed by the Theodosian Empress Eudocia using only verses from the Iliad and the Odyssey. Building upon recent work on Homeric poetics, and utilizing linguistic and semiotic methods of analysis, this study introduces readers to the Centos as a sophisticated comparative reading of Homer and the Bible, based upon intertextual associations of ideas, words, and sounds. Homeric Stitchings is a study in the performative aspects of ancient reading, the processes of human memory, and the reception of Homeric poetry as oral poetry in later antiquity. It will be of great interest to students and scholars of Homer, the Bible and comparative literature, and cultural historians.
Ptolemy the second Philadelphus and his world
Ptolemy II Philadelphus, second Macedonian king of Egypt (282-246BC), captured intellectual high ground by founding the Alexandrian Library and Museum, and cemented celebrity status by bankrolling his courtesans' endeavours in Olympic chariot-racing. In this book scholars analyse a range of key aspects of Phiadelphus' world.
The Song of the Sirens
In this collection of his essays on Homer, some new and some appearing for the first time in English, the distinguished scholar Pietro Pucci examines the linguistic and rhetorical features of the poet's works. Arguing that there can be no purely historical interpretation, given that the parameters of interpretation are themselves historically determined, Pucci focuses instead on two features of Homer's rhetoric: repetition of expression (formulae) and its effects on meaning, and the issue of intertextuality.
Immortal Armor
Although military concepts in Homeric poetry have been studied since Alexandrian times, there has not been until now an extended study of the concept of alke, "defensive strength", as it unfolds intertextually within the Iliad and the Odyssey and archaic Greek poetry generally. Derek Collins uses evidence from Homeric poetry to reveal that alke, unlike other concepts of strength in archaic Greek, plays a central role in defining a warrior at the peak of his prowess, which can be related in turn to its application to kings and to its use by Zeus and Athena as divine emblems of warfare. Just as importantly, Collins shows how alke functions poetically as a plot device for the Odyssey as the poem retrospectively views the Iliad. Finally, by integrating evidence from linguistics, anthropology, and comparative literature, Collins argues that the meaning of alke cannot be divorced from the oral-traditional media from which it emerges, and that its conceptual structure depends as much on archaic Greece as it does on the poetic demands of the Iliad and the Odyssey.
Aegean Strategies
With a long, detailed historical record, a large corpus of archaeological data, and, more recently, a number of sophisticated analyses of current and previous environmental conditions, the Aegean region of the eastern Mediterranean offers a unique setting to explore the evolution of a landscape through time. As expanding world markets continue to encroach upon even the most remote and delicate ecological zones, anthropologists across all sub-disciplines are beginning to find common theoretical and methodological ground within their own discipline and with other ecologically oriented sciences. This volume examines the value of such collaborative research by bringing together archaeologists, c...
Aglaia
In this landmark collection of essays, renowned classicist Charles Segal offers detailed analyses of major texts from archaic and early classical Greek poetry; in particular, works of Alcman, Mimnermus, Sappho, Pindar, Bacchylides, and Corinna. Segal provides close readings of the texts, and then studies the literary form and language of early Greek lyric, the poets' conception of their aims and their art, the use of mythical paradigms, and the relation of the poems to their social context. A recurrent theme is the recognition of the fragility and brevity of mortal happiness and the consciousness of how the immortality conferred by poetry resists the ever-threatening presence of death and oblivion, fixing in permanent form the passing moments of joy and beauty. This is an essential book for students and scholars of ancient Greek poetry.
Speech in Speech
Speech in Speech explores the techniques by which Classical Greek texts written primarily for public performance weave in direct quotations (oratio recta) of "other voices"-imagined or real. This "speech in speech" is usually perceived as endowed with a greater vividness and authenticity than indirect quotation, even when the words report what someone might say, or enliven the verbal texture of plays and speeches, and examines the intricate relation of direct quotations to their "originals". As the first synoptic and detailed study of oratio recta in Classical Greek literature, Speech in Speech will be useful to anyone interested in ancient literary technique.
Greek Modernism and Beyond
Although it is one of the most dynamic and controversial areas of Greek culture, Greek modernism has received little scholarly attention as a literary and cultural phenomenon. A wide variety of competing, often clashing discourses and approaches characterize the study of Greek modernism. In this landmark volume, scholars from three continents provide a framework in which developments in prose, poetry, and drama can be studied together. The contributors seek to redefine the contours of Greek modernism, to reassess its impact on Greek culture, to explore the fringes of the movement. Special attention is paid to the role of the avant-garde in Greece and the emergence of postmodern trends in Greek culture. Greek Modernism and Beyond is valuable reading for students and scholars of Greek and European literature.
