You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
For the better part of two centuries, racial domination has been the central concern of African social thought. Other questions, among them national identity, the role of chieftaincy, representation, justice, and constitutional design, have often been defined in relation to a preoccupation with racial and colonial forms of domination. This book, by examining the history of African thought, will prove an invaluable tool to those new thinkers who have begun to revisit the intellectual history of Africa at the outset of the twenty-first century.
Through the work of leading African writers, artists, musicians and educators—from Nobel prizewinner Wole Soyinka to names hardly known outside their native lands—An African Voice describes the contributions of the humanities to the achievement of independence for the peoples of black Africa following the Second World War. While concentrating on cultural independence, these leading humanists also demonstrate the intimate connection between cultural freedom and genuine political economic liberty.
For most of its history, the African continent has witnessed momentous political change, remarkable philosophical innovation, and the complex cross-fertilization of ideologies and belief systems. This definitive study surveys the concepts, values, and historical upheavals that have shaped African political systems from the ancient period to the postcolonial era and beyond. Beginning with the emergence of indigenous political institutions, it traces the most important developments in African history, including the Africanization of Islam, liberal democratic movements, socialism, Pan-Africanism, and Africanist-Populist resistance to the neoliberal world order. The result is an invaluable resource on a region too often ignored in the history of political thought.
Ranging far beyond the bounds of conventional biography and music history, this book examines the cultural background of Wagner’s art, including the nether regions of nationalism and racism. New Introduction by the Author. Index; photographs.
Drawing on new research from the ERC project ‘Developing Theatre’, this collection presents innovative institutional approaches to the theatre historiography of the Global South since 1945. Covering perspectives from Africa, Asia, the Middle East and Latin America as well as Eastern Europe, the chapters explore how US philanthropy, international organisations and pan-African festivals all contributed to the globalisation and institutionalisation of the performing arts in the Global South. During the Cultural Cold War, the Global North intervened in and promoted forms of cultural infrastructure that were deemed adaptable to any environment. This form of technopolitics impacted the constru...